CALL FOR PAPERS
Resonancias - Musical Research Journal Issue 46
Dossier “Musical Practice as Research: Problems, Proposals and Case Studies”
Editors: Daniel Party and Alejandro Vera (Pontificia Universidad Católica de Chile)
Coordinator of Documents section: Rubén López-Cano
The journal Resonancias, published by the Music Institute at Pontificia Universidad Católica de Chile’s Faculty of Arts, invites specialists in musical research and/or related disciplines to send articles of their authorship presenting unpublished and relevant contributions in their areas. Articles written in Spanish, Portuguese and English will be accepted.
During the seventies, several European universities, especially from the UK, began to explore the links between artistic practice and theoretical research, to verify whether it was possible to understand the former as a different type of research or not. During the last two decades, the number of institutions asking similar questions has grown exponentially, to the extent that many conservatories and music departments have modified their traditional teaching profile, adapting themselves to university-wide research agendas. This change has led to a growing interest among musicians to obtain doctoral degrees, but not necessarily in the field of musicology or music theory. The resulting variety of approaches is evident in the diversity of designations for this alternative form of research, both in English (practice-based research, performative research, etc.) and other languages (práctica artística como investigación, pesquisa artistica, recherche création, etc.), as well as in the notable increase of publications on that subject. In this context, Resonancias invites researchers and other participants in the music field to submit original articles dealing with the problems that arise when conceptualizing and putting into musical practice such kind of research, proposals for its implementation, and specific case studies in which music is central to research, among other topics.
Each proposal will initially be reviewed by the Editorial Team, who will determine its suitability in line with the standards and formatting of a specialised academic article, as well as the journal’s editorial line. The articles selected during this stage will then undergo a double-blind peer review assessment, after which the author will receive a report within a deadline established by the journal outlining the reasons for accepting or rejecting the article.
Over the twenty years since its founding, Resonancias has published articles by local and international specialists on themes relating mainly to music in Latin America and the Caribbean. The journal has also been the main instrument for disseminating works recognized with the Samuel Claro Valdés Latin American Musicology Prize, awarded by the University’s Music Institute since 1998 and which currently represents one of the main means to promote the discipline in our continent.
The following details constitute a summary of the journal’s editorial guidelines. The complete information about submission requirements, as well as our editorial policy can be accessed in our web site (www.resonancias.uc.cl).
Articles should be no longer than 12,000 words, including footnotes, bibliography and annexes, while reviews should not exceed 3,200 words.
The margins should be 3 cm on each side and 2.5 on the top and bottom. The body of the text should be in Times New Roman font, size 12, and 1.5 spacing. Footnotes should equally be in Times New Roman, but in size 10 and single-spaced. Block-quotes, more than 40 words in length, should be written in Times New Roman, size 11, 1.5 spacing, indentation of 1 cm on each side, 12 points of line spacing before and after and without quotation marks.
Images should be clearly labeled directly underneath, indicating the source and credits. Moreover, all necessary legal authorization for the image’s inclusion and reproduction is solely the responsibility of the author of the text submitted.
In addition, each image must be sent separately in JPEG format, in the highest resolution possible, with clear indications as to where in the text it is located. The minimal pixilation is 300 dpi. Authors must keep in mind that, although the online version of the journal allows for color images, the print version is in full black and white.
All articles must include an abstract (maximum of 200 words) on the first page, outlining the article’s objectives, content and conclusions, both in the language in which it is written as well as in English. Similarly, articles must include 4 – 6 keywords both in the original language as well as in English. Authors must also send a brief 100-word CV in a separate attachment, once again in both languages. Album and book reviews, however, will not require abstracts, CVs or keywords.
Any reference to the author’s identity must be omitted from the article itself, in order to guarantee anonymity during the double-blind peer review process.
Instituto de Música de la Pontificia Universidad Católica de Chile
Avda. Jaime Guzmán 3300-Campus Oriente,
Providencia, Santiago, Chile.
The bibliographical format used is that of the 16th edition of the Chicago Manual of style. In this sense, in-text citations will follow the author-date system. For more detailed information, please consult the journal’s Editorial Guidelines (http://resonancias.uc.cl/en/Instrucciones-a-los-autores/editorial-guidelines.html), as well as the Chicago Manual of Style, available online at: http://www.chicagomanualofstyle.org/tools_citationguide.html.
Director: Alejandro Vera Aguilera.
Editor: Leonora López.
National Editorial Board: Rodrigo Cádiz (Pontificia Universidad Católica de Chile), Daniel Party (Pontificia Universidad Católica de Chile), Rodrigo Torres (Universidad de Chile) and Felipe Otondo (Universidad Austral de Chile).
International Editorial Board: Geoff Baker (Royal Holloway, University of London, UK), Nicolas Collins (School of the Art Institute of Chicago, USA), Ricardo Dal Farra (Concordia University, Canada), Heloísa de Araujo Duarte Valente (Professora titular junto ao Programa de Pós-graduação em Comunicação (UNIP) / Professora colaboradora junto ao Programa de Pós-graduação em Música (USP), Brazil), Rajmil Fischman (Keele University, UK), Rubén López-Cano (Escola Superior de Música de Catalunya, Spain), Jõao Pedro Oliveira (Universidade Federal de Minas Gerais, Brazil), Raúl Renato Romero (Pontificia Universidad Católica del Perú), Carolina Santamaría (Universidad de Antioquia, Colombia), Rodrigo Sigal (Centro Mexicano para la Música y las Artes Sonoras, Mexico), Susan Thomas (University of Georgia, USA), Álvaro Torrente (Universidad Complutense de Madrid, Spain).