Profesora de Musicología en la Universidad de La Rioja (España). Autora de diversas publicaciones sobre ideología, crítica musical, danza e identidad relativas a la música de concierto del siglo XX en Cuba y América Latina, así como coeditora de dos volúmenes sobre danza y música en el Franquismo (Brepols, 2017 y Libargo, 2019). Ha realizado estancias de investigación en Cuba (2010), Estados Unidos (2011, 2014), Suiza (2014-2015), Francia (2016) y recientemente en Harvard University (proyecto “Dance, Identity and Politics: The Claim for Afro-Cubanity through the first Revolutionary Decade, 1959-1969”, 2017). Es secretaria del Grupo de Estudio “Música y Estudios Americanos” (MUSAM) de la Sociedad Española de Musicología.

Lecturer in Musicology at the University of La Rioja (Spain). Author of several publications on ideology, music criticism, dance and identity regarding 20th-century Cuban and Latin-American art music, and co-editor of two volumes on dance and music during Francoism (Brepols, 2017 and Libargo, 2019). She has done research work in Cuba (2010), the United States (2011, 2014), Switzerland (2014-2015), France (2016) and recently at Harvard University (Project “Dance, Identity and Politics: The Claim for Afro-Cubanity through the first Revolutionary Decade, 1959-1969”, 2017). Secretary of the Study Group “Music and (Latin)American Studies” (MUSAM) of the Spanish Musicological Society.