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Daniel Martín Sáez


Doctor en Filosofía con una tesis sobre el nacimiento de la ópera (UAM). Licenciado en Filosofía y en Musicología. Ha realizado estancias en la Princeton University y en la Universidad de Ferrara. Máster en Estudios Avanzados de Filosofía (UCM). Grado Profesional de Música. Ha impartido docencia en varias universidades. I Premio de la Sociedad Española de Estudios del Siglo XVIII y Premio Internacional “Otto Mayer Serra” de la University of California. Ha participado en numerosos congresos internacionales y ha publicado diversos artículos, capítulos de libro y ediciones. También ha sido premiado por la Society for Seventeenth-Century Music.

PhD in Philosophy with a thesis on the birth of opera (UAM). Degree in Philosophy and Musicology. Research stays at Princeton University and the University of Ferrara. Master’s degree in Advanced Studies in Philosophy (UCM). Professional Degree in Music. He has taught at several universities. First Prize of the Spanish Society of 18th Century Studies and International Prize "Otto Mayer Serra" of the University of California. He has participated in numerous international conferences and has published several articles, book chapters and editions. He has also been awarded by the Society for Seventeenth-Century Music.

Artículos publicados:

The jurist Giulio Capone, the singer Ottavio Gaudioso and the philosophical defense of castration for musical purposes

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 11-34.

DOI: https://doi.org/10.7764/res.2022.51.2

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Aesthetics, Musicology and Secularization. The Myth of the Birth of Opera in the Historiography of the Last Century

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 39-58.
DOI: https://doi.org/10.7764/res.2020.47.4

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