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Richard Freedman
Es catedrático de Humanidades John C. Whitehead '43 y catedrático de Música en el Haverford College (EE. UU.). Ha publicado numerosos trabajos sobre la música de los siglos XV y XVI, entre ellos, Music in the Renaissance (2 vols., Norton, 2012), The Chansons of Orlando di Lasso and their Protestant Listeners (Rochester, 2001), y A Cultural History of Music in the Renaissance (coeditado con Jeanice Brooks) (Bloomsbury, 2023). Su trabajo actual con herramientas digitales para el estudio de la música incluye The Lost Voices Project (digitalduchemin.org) y Citations: The Renaissance Imitation Mass (crimproject.org).
ORCID: 0000-0001-5550-3674
He is John C. Whitehead ‘43 Professor of Humanities and Professor of Music at Haverford College (USA). He has published widely on the music of the fifteenth and sixteenth centuries, including Music in the Renaissance (2 vols, Norton, 2012), The Chansons of Orlando di Lasso and their Protestant Listeners (Rochester, 2001), and (co-edited with Jeanice Brooks), A Cultural History of Music in the Renaissance (Bloomsbury, 2023). His current work with digital tools for music scholarship includes The Lost Voices Project (digitalduchemin.org) and Citations: The Renaissance Imitation Mass (crimproject.org).