N° 32


32
Junio 2013
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Editorial n° 32

Resonancias vol.17, n°32, junio 2013, pp. 9-10.

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Dossier Corps de ballet. Studies on body, music and culture in contemporary Chile

Resonancias vol.17, n°32, junio 2013, pp. 11-13.

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Dialogues on Body, Music and Culture

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Resonancias vol.17, n°32, junio 2013, pp. 15-46.

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"Salseros have a Party": Salsa, Dance and Listening to Music in Santiago de Chile in Late Eighties

Resonancias vol.17, n°32, junio 2013, pp. 47-64.

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Dance Music, an Experience of Ecstasy through the Body. Reflections around an Ethnography carried out in Three Festivals of Santiago de Chile

Resonancias vol.17, n°32, junio 2013, pp. 65-76.

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"Tango is danced around the corner": uses and discussions around the practice of tango dance in the city of Santiago (2000-2012)

Resonancias vol.17, n°32, junio 2013, pp. 77-92.

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"I also have my cumbia, but my cumbia is Chilean": notes for a sociohistorical reconstruction of Chilean cumbia from the body

Resonancias vol.17, n°32, junio 2013, pp. 93-110.

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The Body in Rock: gestures, poietics and identity. Two cases of punk

Resonancias vol. 17, nº 32, junio 2013, pp.111-134.

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The reproduction of patriarchal values ​​through Chilean cuecas texts

Resonancias vol. 17, nº32, junio 2013, pp. 135-154.

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Robin Moore, Ed. 2012. Musics of Latin America. Walter Aaron Clark (contributing editor). New York, London: W. W. Norton.

Resonancias vol.17, n°32, junio 2013, pp. 155-159.

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Javier Marín López. 2012. Los libros de polifonía de la Catedral de México. Estudio y catálogo crítico. Jaén: Servicios de Publicaciones de la Universidad de Jaén, Sociedad Española de Musicología.

Resonancias vol.17, n°32, junio 2013, pp. 161-163.

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