N° 34


Portada número 34
Junio 2014
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Editorial n° 34

Resonancias vol.18, n°34, enero-junio 2014, pp. 9-12.
DOI: 10.7764/res.2014.34.1

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Throat of stone: The artificial songs of Alberto Kurapel and the reception of exiled Chileans in Montreal during the 1970s

Resonancias vol. 18, n°34, enero-junio 2014, pp. 15-35.
DOI: 10.7764/res.2014.34.2

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Outside the "chorus of the content": Dictatorship and Popular Music in Brazil

Resonancias vol. 18, n°34, enero-junio 2014, pp. 37-48.
DOI: 10.7764/res.2014.34.3

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Music and the plan for the country during the Uruguayan dictatorship (1973–1985)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 49-67.
DOI: 10.7764/res.2014.34.4

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The Argentinian dictatorship and rock: Intimate enemies

Resonancias vol. 18, n°34, enero-junio 2014, pp. 69-87.
DOI: 10.7764/res.2014.34.5

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Testimonial of the Nuevo Cancionero: Musical Practices as Social Discourse and the Role of the Compromised Intellectual in the 1970s 

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Resonancias vol. 18, n°34, enero-junio 2014, pp. 89-110.
DOI: 10.7764/res.2014.34.6

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Music and torture in Chilean detention centers: Conversations with an ex-agent of Pinochet's secret police 

Resonancias vol. 18, n°34, enero-junio 2014, pp. 111-126.
DOI: 10.7764/res.2014.34.7

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Music, politics, and ethnicity: Convergences between democracy and dictatorship in the relocation of Afro-Uruguayan candombe in Buenos Aires (1973–2013)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 127-153.
DOI: 10.7764/res.2014.34.8

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Approaching archives and collections for the study of popular music and politics in contemporary Chile

Resonancias vol. 18, n°34, enero-junio 2014, pp. 181-190.
DOI: 10.7764/res.2014.34.10

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Souto, Carmen (editora). 2012. Jam session. La nueva generación. La Habana: Ediciones CIDMUC.

Resonancias vol. 18, n°34, enero-junio 2014, pp. 191-196.
DOI: 10.7764/res.2014.34.11

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