Editorial n° 36

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Resonancias vol.19, n°36, enero-junio 2015, pp. 9-10.
DOI: http://doi.org/10.7764/res.2015.36.1

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Musical samples versus literary samples

Resonancias vol.19, n°36, enero-junio 2015, pp. 11-25.
DOI: http://doi.org/10.7764/res.2015.36.2

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Amalgam – Collaborative techniques within cooperative spaces

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Resonancias vol.19, n°36, enero-junio 2015, pp. 27-36.
DOI: http://doi.org/10.7764/res.2015.36.3

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The role of space in the clarification of sound materials in acousmatic music

Resonancias vol.19, n°36, enero-junio 2015, pp. 37-53.
DOI: http://doi.org/10.7764/res.2015.36.4

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A new approach to the timbral representation of a nine-piece jazz drum set

Resonancias vol.19, n°36, enero-junio 2015, pp. 55-93.
DOI: http://doi.org/10.7764/res.2015.36.5

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Music and technomorphism: origins of the concept and preliminary studies

Resonancias vol.19, n°36, enero-junio 2015, pp. 95-113.
DOI: http://doi.org/10.7764/res.2015.36.6

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Hearing Things (objects)

Resonancias vol.19, n°36, enero-junio 2015, pp. 115-119.
DOI: http://doi.org/10.7764/res.2015.36.7

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…New means(,) old meanings…

Resonancias vol.19, n°36, enero-junio 2015, pp. 121-130.
DOI: http://doi.org/10.7764/res.2015.36.8

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Water Resistance. Water and Electricity: Concept of materiality in electronic media

Resonancias vol.19, n°36, enero-junio 2015, pp. 131-139.
DOI: http://doi.org/10.7764/res.2015.36.9

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Musical processes: between experimentation and creation

Resonancias vol.19, n°36, enero-junio 2015, pp. 141-146.
DOI: http://doi.org/10.7764/res.2015.36.10

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