Nº 40


Portada 40
Junio 2017
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Editorial n° 40

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 9-11.
DOI: https://doi.org/10.7764/res.2017.40.1

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Chant, liturgy, ceremonial and divine worship in Latin America according to the Recopilación de Leyes de los Reynos de Indias

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 13-32.
DOI: https://doi.org/10.7764/res.2017.40.2

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Silhouettes in the dark: Chapelmaster Cayetano Rodríguez (Arequipa, Peru,18th century). Example of the use of non-musical sources in the reconstruction of the history of colonial music in South America

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 33-46.
DOI: https://doi.org/10.7764/res.2017.40.3

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Chilean Art Music as a Historical and Social Practice. The Communication, Circulation and Reception of Three Pioneer Symphonic Works within Two Institutional Frameworks: 1918-1923 y 1928-1950

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 47-70.
DOI: https://doi.org/10.7764/res.2017.40.4

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Modernism and internationalism as program: the composer Fernando Lopes-Graça and the concert society Sonata (Lisbon, 1942-1960)

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 71-100.
DOI: https://doi.org/10.7764/res.2017.40.5

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Brasil, the 1970’s: a study on Funarte’s National Institute of Music

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 111-128.
DOI: https://doi.org/10.7764/res.2017.40.6

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State and music organizations in emergent configurations in the 2000s in Argentina

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 129-144.
DOI: https://doi.org/10.7764/res.2017.40.7

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Resonancias, a publication of the Institute of Music

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 145-147.
DOI: https://doi.org/10.7764/res.2017.40.8

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Revista Resonancias. A retrospective look at the production published between 1997 and 2012

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 149-166.
DOI: https://doi.org/10.7764/res.2017.40.9

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Resonancias: the stage in progress

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Resonancias vol. 21, n° 40, enero-junio 2017, pp. 167-179.
DOI: https://doi.org/10.7764/res.2017.40.10

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Gabriel Gálvez. 2016. Arte menor. La Serena: Fondo para el Fomento de la Música Nacional.

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 181-184.
DOI: https://doi.org/10.7764/res.2017.40.11

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Michel Bert (guitarra). 2016. La Chitarra Italiana. 1900-1941. Brugherio (Milán): Sinfonica Edizioni Musicale (SCD-022).

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 185-186.
DOI: https://doi.org/10.7764/res.2017.40.12

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