Nº 41

Editorial n° 41

Alejandro Vera

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 9-11.
DOI: https://doi.org/10.7764/res.2017.41.1

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Social assistance, Peninsular identity and Marian devotion in a New Spain confraternity of musicians from the mid-seventeenth-century

Javier Marín-López

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 13-33.
DOI: https://doi.org/10.7764/res.2017.41.2

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Methodology for the identification of compositions and the establishment of concordances: the case of the inventories of the music chapel of Málaga Cathedral (1800-1836) and the works in Spanish by Esteban Redondo

María José de la Torre Molina

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 35-55.
DOI: https://doi.org/10.7764/res.2017.41.3

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Las Kantutas and Música Oriental: Folkloric Music, Mass Media, and State Politics in 1940s Bolivia

Fernando Rios

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 57-85.
DOI: https://doi.org/10.7764/res.2017.41.4

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Songs and dances for Eva Duarte de Perón. The trip to Spain in 1947 and the staging of the Hispanic myth

Beatriz Martínez del Fresno

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 87-119.
DOI: https://doi.org/10.7764/res.2017.41.5

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An approach to the analytic thought of Domingo Santa Cruz

Gonzalo Martínez García and José Miguel Ramos

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 121-143.
DOI: https://doi.org/10.7764/res.2017.41.6

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Neither original nor copy: musical versions between the mainstream and the periphery

Jeder Silveira Janotti Junior and Rafael Andrade de Oliveira e Silva

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 145-162.
DOI: https://doi.org/10.7764/res.2017.41.7

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In Memoriam Ángel Parra (1943-2017)

Patricio Brickle

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 163-164.
DOI: https://doi.org/10.7764/res.2017.41.8

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Constitutions of the Congregation of Our Lady of Antigua of the Cathedral of Mexico

Javier Marín-López

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 165-176.
DOI: https://doi.org/10.7764/res.2017.41.9

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The sending of indigenous musicians from the former Jesuit towns to the Cathedral of Asunción (1791-1795): transfer and insertion in a late-colonial urban society

Laura Fahrenkrog

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 177-183.
DOI: https://doi.org/10.7764/res.2017.41.10

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Transcription and comments of the “List of works” by Pedro Ximénez Abrill, a catalog of a Latin American composer in the mid-nineteenth century

José Manuel Izquierdo König

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 185-193.
DOI: https://doi.org/10.7764/res.2017.41.11

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José Miguel Candela. 2016. 4 piezas acusmáticas por los derechos humanos. Santiago: Pueblo Nuevo Netlabel. CD

Rodrigo Cadiz

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 195-196.
DOI: https://doi.org/10.7764/res.2017.41.12

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Rodrigo Cádiz y Alejandro Reyes. 2016. De Natura Organica. Santiago: Dirección de Artes y Cultura de la Pontificia Universidad Católica de Chile

Federico Schumacher Ratti

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 197-200.
DOI: https://doi.org/10.7764/res.2017.41.13

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Fe de erratas n° 39

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