Editorial n° 42

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 9-11.
DOI: https://doi.org/10.7764/res.2018.42.1

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The 1890 crisis. Dividing line between two opposing models of music education in Argentina

and

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 33-52.
DOI: https://doi.org/10.7764/res.2018.42.3

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Challenging the Listener: How to Change Trends in Classical Music Programming

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 115-130.
DOI: https://doi.org/10.7764/res.2018.42.6

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Real and Imaginary Soundscapes

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 131-141.
DOI: https://doi.org/10.7764/res.2018.42.7

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The city as a source of sounds for the sound creation

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 143-150.
DOI: https://doi.org/10.7764/res.2018.42.8

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Embodied Sonic Memories of Commuting Underground

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 151-168.
DOI: https://doi.org/10.7764/res.2018.42.9

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Brief review of the IX Chilean Congress of Musicology

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 169-170.
DOI: https://doi.org/10.7764/res.2018.42.10

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Delgado, Julián. 2017. Tu tiempo es hoy. Una historia de Almendra. Buenos Aires: Eterna Cadencia.

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 171-174.
DOI: https://doi.org/10.7764/res.2018.42.11

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Musicians as workers. A case study of the Musicians’ Mutual Aid Society of Valparaíso (1893-1930)

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 53-78.
DOI: https://doi.org/10.7764/res.2018.42.4

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