Nº 44


Resonancias 44 13 junio portada
Junio 2019
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Editorial n° 44

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Resonancias vol. 23, n° 44, enero-junio 2019, pp. 9-11.
DOI: https://doi.org/10.7764/res.2019.44.1

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Definitions and Uses of the Term “concierto” in Spanish Cathedral Documentation Between c. 1750 and c. 1830

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 13-35.
DOI: https://doi.org/10.7764/res.2019.44.2

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José Herrando Resurrected... Again? History of a 'Recuperation'

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 37-68.
DOI: https://doi.org/10.7764/res.2019.44.3

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Os Menestréis de Lisboa (1960-1972): Santiago Kastner and the Performance of Baroque Music in Portugal

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 69-99.
DOI: https://doi.org/10.7764/res.2019.44.4

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Próspero Bisquertt's Procession: Institutions and Mediations around a Chilean Work on its Canonization Process and the Trajectory of its Composer

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 101-125.
DOI: https://doi.org/10.7764/res.2019.44.5

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“On the musical ‘Classicism’ and ‘Romanticism’” by Alba Herrera y Ogazón

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 127-131.
DOI: https://doi.org/10.7764/res.2019.44.6

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Documents for a history of the avant-garde group Tonus (1952–1959)

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 133-141.
DOI: https://doi.org/10.7764/res.2019.44.7

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Synecdoche, microhistory and a Cuban musical review of 1965

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 143-149.
DOI: https://doi.org/10.7764/res.2019.44.8

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Documentary concurrences around Carlos Guastavino and Gabriela Mistral

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 151-159.
DOI: https://doi.org/10.7764/res.2019.44.9

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International Festival of Contemporary Music of Camagüey: an unprecedented event in Cuba at the end of the 20th century and the beginning of the 21st

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 161-173.
DOI: https://doi.org/10.7764/res.2019.44.10

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Sato Besoaín, Eduardo. 2018. Con mi voz sonora. Campanas y toques de campana en la Catedral y otros templos históricos de Santiago (1789-1899). Santiago: Ediciones Universidad Alberto Hurtado.

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 175-179
DOI: https://doi.org/10.7764/res.2019.44.11

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Pedrotti, Clarisa Eugenia. 2017. Pobres, negros y esclavos: Música religiosa en Córdoba del Tucumán. Córdoba: Editorial Brujas.

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 181-184.
DOI: https://doi.org/10.7764/res.2019.44.12

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Lifchitz, Max. 2014. Ars Nostra Plays Max Lifchitz. The Ars Nostra Ensemble, North/South Consonance N/S R 1058,CD.

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 185-186.
DOI: https://doi.org/10.7764/res.2019.44.13

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