Editorial n° 44

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Resonancias vol. 23, n° 44, enero-junio 2019, pp. 9-11.
DOI: https://doi.org/10.7764/res.2019.44.1

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José Herrando Resurrected... Again? History of a 'Recuperation'

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 37-68.
DOI: https://doi.org/10.7764/res.2019.44.3

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“On the musical ‘Classicism’ and ‘Romanticism’” by Alba Herrera y Ogazón

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 127-131.
DOI: https://doi.org/10.7764/res.2019.44.6

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Documents for a history of the avant-garde group Tonus (1952–1959)

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 133-141.
DOI: https://doi.org/10.7764/res.2019.44.7

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Synecdoche, microhistory and a Cuban musical review of 1965

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 143-149.
DOI: https://doi.org/10.7764/res.2019.44.8

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Documentary concurrences around Carlos Guastavino and Gabriela Mistral

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 151-159.
DOI: https://doi.org/10.7764/res.2019.44.9

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Lifchitz, Max. 2014. Ars Nostra Plays Max Lifchitz. The Ars Nostra Ensemble, North/South Consonance N/S R 1058,CD.

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 185-186.
DOI: https://doi.org/10.7764/res.2019.44.13

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