Editorial n°45

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 9-11.
DOI: https://doi.org/10.7764/res.2019.45.1

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Spain in the music of Isidro Maiztegui. Legacy, ideology and migration

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 121-146.
DOI: https://doi.org/10.7764/res.2019.45.5

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The Dictatorship and Popular Music in Chile: The First Years of Lead

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 147-169.
DOI: https://doi.org/10.7764/res.2019.45.6

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“We do not come to make political song”: the return of the Chilean New Song and the plebiscite of 1988

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 171-196.
DOI: https://doi.org/10.7764/res.2019.45.7

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Rock in Spanish: a field of dispute and convergence between Spain and Latin America

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 197-214.
DOI: https://doi.org/10.7764/res.2019.45.8

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Beyond postpunk. New Romantics and Goths between Madrid and Valencia

and

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 215-239.
DOI: https://doi.org/10.7764/res.2019.45.9

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The Web of Culture: A Context for Musicology [1984]

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 241-258.
DOI: https://doi.org/10.7764/res.2019.45.10

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Ensamble f(r)actura. 2019. f(r). Valparaíso: Sello Modular. CD

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 270-273.
DOI: https://doi.org/10.7764/res.2019.45.13

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