Editorial n°46

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 9-11.
DOI: https://doi.org/10.7764/res.2020.46.1

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"Preparing the listeners": topics in Carl Czerny's improvised preludes

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 29-53.
DOI: https://doi.org/10.7764/res.2020.46.3

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Music in the Representations of Latin America in Hollywood Films of Early Sound Era (1927-1932)

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 55-77.
DOI: https://doi.org/10.7764/res.2020.46.4

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Artistic Research in Transit

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 135-140.
DOI: https://doi.org/10.7764/res.2020.46.7

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Autoethnography and participant-observation in a cross-cultural artistic research

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 147-155.
DOI: https://doi.org/10.7764/res.2020.46.9

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Go to Hell: Some Reflections on the Role of Intuition and Analysis in Artistic Research

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 157-166.
DOI: https://doi.org/10.7764/res.2020.46.10

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Why Truth should treasure her disguise

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 167-172.
DOI: https://doi.org/10.7764/res.2020.46.11

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Ruben López Cano interviews Paulo de Assis

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 173-181.
DOI: https://doi.org/10.7764/res.2020.46.12

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