Articles


Beyond Mapuche Music: Equivocation, Definitions and Resistance

Resonancias vol.27, n°52, enero-junio 2023, pp. 41-60.

DOI: http://doi.org/10.7764/res.2023.52.4

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The Bass Clarinet as an Alternative to the Cello: a Didactic Proposal for Suite No. 1 BWV 1007 by Johann Sebastian Bach

Resonancias vol.27, n°52, enero-junio 2023, pp. 61-95.

DOI: http://doi.org/10.7764/res.2023.52.5

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A Reconstruction and Analysis of Francisco Asenjo Barbieri’s Social Network in Valencia (Spain) based on his Correspondence (1852-1893)

Resonancias vol.27, n°52, enero-junio 2023, pp. 97-128.

DOI: http://doi.org/10.7764/res.2023.52.6

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Minimalist Spectral Music: The Case of Music for Voice and Bells by Llorenç Barber

Resonancias vol.27, n°52, enero-junio 2023, pp. 179-202.

DOI: http://doi.org/10.7764/res.2023.52.9

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The Work with Contemporary Music in the Professional and Higher Conservatories of Music of Spain

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Resonancias vol. 27, n° 52, enero-junio 2023, pp. 203-233

DOI: https://doi.org/10.7764/res.2023.52.10

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Creative Ecological Strategies in Ubimus and its Relationship with Everyday Contexts: Implications of the Work Atravessamentos

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Resonancias vol. 27, n° 52, enero-junio 2023, pp. 235-255.

DOI: https://doi.org/10.7764/res.2023.52.11

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The jurist Giulio Capone, the singer Ottavio Gaudioso and the philosophical defense of castration for musical purposes

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 11-34.

DOI: https://doi.org/10.7764/res.2022.51.2

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Differing Modernisms (1910-1915): Musical Dramaturgies by ‘Ill-fated’ Usandizaga

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 35-62.

DOI: https://doi.org/10.7764/res.2022.51.3

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A Neverending Story: Two Centuries of Proposals to Solve the Inconveniences of an Indomitable Note on the Clarinet

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 63-96.

DOI: https://doi.org/10.7764/res.2022.51.4

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Los Diablos Rojos de Víctor Jara: a choreographic and musical analysis

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 97-117.

DOI: https://doi.org/10.7764/res.2022.51.5

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Esto (sí que) no es Hawaii: Free Radio, Counterculture, Subculture, and Underground Music in the Madrid of ‘la Movida’ (1976-1989)

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 119-145.

DOI: https://doi.org/10.7764/res.2022.51.6

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Chinoy’s High-Pitched and Disconcerting Voice

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 147-169.

DOI: https://doi.org/10.7764/res.2022.51.7

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Resonance of Brass Bands. Organizations and Music Teachers in La Tirana (1970 - 2000)

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 171-199.

DOI: https://doi.org/10.7764/res.2022.51.8

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Associations, disputes and international networks. The management of the music festivals in Caracas, Montevideo, and Washington between 1954 and 1966

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 15-43.

DOI: https://doi.org/10.7764/res.2022.50.3

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Vanguards looking East and South. Contemporary music festivals in Cuba and their relationship with Eastern Europe and Latin America (1959-1990)

Resonancias vol. 26, n° 50, enero-junio 2022, pp. 45-75.

DOI: https://doi.org/10.7764/res.2022.50.4

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“For a united front of Latin American musical vanguards”: the Latin American turn at the Festival Música Nova from the III Festival de Música de América y España

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 77-98.

DOI: https://doi.org/10.7764/res.2022.50.5

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Latin-American presence at the Encounters of Contemporary Music of the Agrupación Musical Anacrusa (Chile, 1987-1992)

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 99-125.

DOI: https://doi.org/10.7764/res.2022.50.6

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Cognitive-Semiotic Issues Around Viento de otoño (1998) by José Manuel López López Through Musical Self-Analysis

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 127-158.

DOI: https://doi.org/10.7764/res.2022.50.7

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A Feminized Space Since its Origins: Teachers at the Conservatory of Granada Until the Spanish Civil War (1921-1936)

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 159-186.

DOI: https://doi.org/10.7764/res.2022.50.8

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Sound as thought. Considerations about a modern epistemology of music.

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 187-206.

DOI: https://doi.org/10.7764/res.2022.50.9

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The change in the music policies during the democratic transition (1975-1982): the Festival Cincuenta Años de Música Española

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Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 13-34.

DOI: https://doi.org/10.7764/res.2021.49.2

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Jorge Peña Hen's Experimental Plan of Educational Spreading (1964-1973): An Approach to its Design, Implementation, and Results.

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 35-60.

DOI: https://doi.org/10.7764/res.2021.49.3

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Popular Music Genres and Their Temporal Dimension: State of the Art and Proposals for Analysis

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 61-83.

DOI: https://doi.org/10.7764/res.2021.49.4

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The exclusion of women artists at festivals: Gender policies and quantitative analysis in the professional music field of Argentina (2017-2019)

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 85-107.

DOI: https://doi.org/10.7764/res.2021.49.5

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The status of affectivity in the potential music of Tomás Lefever

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 109-133.

DOI: https://doi.org/10.7764/res.2021.49.6

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The dissemination of the canonical choral repertoire in amateur choir singers: learning strategies and relationship with music

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 135-153.

DOI: https://doi.org/10.7764/res.2021.49.7

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Historiographic periodization and aesthetic dogmas: an exercise on colonial Christmas carols

Resonancias vol. 20, n°38, enero-junio 2016, pp. 55-69.
DOI: 10.7764/res.2016.38.4

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Networks and Spaces of Sociability from the Music Chapel of the Cathedral of Havana (1853-1884)

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 13-39.
DOI: https://doi.org/10.7764/res.2021.48.2

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The Musical Activity of the Jesuit Order in Colonial Cuyo: A First Approach

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Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 41-62.
DOI: https://doi.org/10.7764/res.2021.48.3

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To the Letter: An Approach to Verbal Language as a Constituent Part of the Sonorous Dimension of Music

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 63-86.
DOI: https://doi.org/10.7764/res.2021.48.4

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The Monopoly of Technique: Gender Inequalities and Female Agency in Support Work in the Chilean Musical Field

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Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 87-108.
DOI: https://doi.org/10.7764/res.2021.48.5

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Moral values and educational socialization through reggaeton music

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 109-133.
DOI: https://doi.org/10.7764/res.2021.48.6

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“An Operación Triunfo for the Poor". The neoliberal ideology in the new models of socio-musical intervention

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 135-156.
DOI: https://doi.org/10.7764/res.2021.48.7

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