Articles


Film, Music, and Migrant Identities: Representing Musical Otherness in Visconti’s Neorealist Drama “Rocco and His Brothers”

Resonancias vol.27, n°52, enero-junio 2023, pp. 129-156.

DOI: http://doi.org/10.7764/res.2023.52.7

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Negotiating Music Genre: Flamenco, Authenticity and Politics in Popular Music Magazines in Spain (1962-1976)

Resonancias vol.27, n°52, enero-junio 2023, pp. 157-178.

DOI: http://doi.org/10.7764/res.2023.52.8

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Los Diablos Rojos de Víctor Jara: a choreographic and musical analysis

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 97-117.

DOI: https://doi.org/10.7764/res.2022.51.5

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The Representation of Mapuche Spirituality in Popular Music: the Case of Anklaje

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 201-222.

DOI: https://doi.org/10.7764/res.2022.51.9

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Throat of stone: The artificial songs of Alberto Kurapel and the reception of exiled Chileans in Montreal during the 1970s

Resonancias vol. 18, n°34, enero-junio 2014, pp. 15-35.
DOI: 10.7764/res.2014.34.2

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Outside the "chorus of the content": Dictatorship and Popular Music in Brazil

Resonancias vol. 18, n°34, enero-junio 2014, pp. 37-48.
DOI: 10.7764/res.2014.34.3

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Music and the plan for the country during the Uruguayan dictatorship (1973–1985)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 49-67.
DOI: 10.7764/res.2014.34.4

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The Argentinian dictatorship and rock: Intimate enemies

Resonancias vol. 18, n°34, enero-junio 2014, pp. 69-87.
DOI: 10.7764/res.2014.34.5

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Testimonial of the Nuevo Cancionero: Musical Practices as Social Discourse and the Role of the Compromised Intellectual in the 1970s 

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Resonancias vol. 18, n°34, enero-junio 2014, pp. 89-110.
DOI: 10.7764/res.2014.34.6

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Music and torture in Chilean detention centers: Conversations with an ex-agent of Pinochet's secret police 

Resonancias vol. 18, n°34, enero-junio 2014, pp. 111-126.
DOI: 10.7764/res.2014.34.7

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Music, politics, and ethnicity: Convergences between democracy and dictatorship in the relocation of Afro-Uruguayan candombe in Buenos Aires (1973–2013)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 127-153.
DOI: 10.7764/res.2014.34.8

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Sociolinguistic models as a possible methodological alternative in the face of the crisis of Positivism in Musicology: a look at the production and musical practices of Roman Catholicism in Brazil

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 13-31.
DOI: https://doi.org/10.7764/res.2018.42.2

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Early reception of Wagner in the United States: Wagner in New York's Kleindeutschland, 1854–1874

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 11-24.
DOI: 10.7764/res.2014.35.2

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The 1890 crisis. Dividing line between two opposing models of music education in Argentina

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Resonancias vol. 22, n° 42, enero-junio 2018, pp. 33-52.
DOI: https://doi.org/10.7764/res.2018.42.3

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The ideal of Galanterie in the musical writings of Johann Mattheson (1681-1764)

Resonancias vol.19, n°37, julio-noviembre 2015, pp. 11-25.
DOI: 10.7764/res.2015.37.2

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Chant, liturgy, ceremonial and divine worship in Latin America according to the Recopilación de Leyes de los Reynos de Indias

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 13-32.
DOI: https://doi.org/10.7764/res.2017.40.2

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Musical samples versus literary samples

Resonancias vol.19, n°36, enero-junio 2015, pp. 11-25.
DOI: 10.7764/res.2015.36.2

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The inaudible in the historical study of popular music. A critical reflection text

Resonancias vol. 20, n°38, enero-junio 2016, pp. 11-35.
DOI: 10.7764/res.2016.38.2

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Music in Lima´s Cathedral under Archbishop Mogrovejo (1581-1606): Gutierre Fernández Hidalgo, the 1593 Consueta, the Indigenous Participation

Resonancias vol. 20, n°39, julio-noviembre 2016, pp. 13-41.
DOI: 10.7764/res.2016.39.2

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Melchior Cortez: A precursor of classical guitar in Rio de Janeiro

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 13-42.
DOI: https://doi.org/10.7764/res.2018.43.2

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Social assistance, Peninsular identity and Marian devotion in a New Spain confraternity of musicians from the mid-seventeenth-century

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 13-33.
DOI: https://doi.org/10.7764/res.2017.41.2

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Enacted consciousness and emotion in meditation with mantras from Buddhist Tibet

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 25-46.
DOI: 10.7764/res.2014.35.3

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Other! Other! Struggles and tensions in the officialization of local music: the Concepción case

Resonancias vol. 15, n°28, mayo 2011, pp. 19-32.

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Mediatization of the traditional Chilean songbook: musical folklore or popular music?

Resonancias vol. 9, n°17, noviembre 2005, pp. 57-67.

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Secularism, Catholicism and Nationalism in Spanish Musicology (1914-1953)

Resonancias vol.17, n°33, diciembre 2013, pp. 53-70.

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Oratory for the people: popular religiosity in Latin American song

Resonancias vol. 15, n°29, noviembre 2011, pp. 41-55.

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Between oblivion and ruin: Around the Chilean National Song by Manuel Robles

Resonancias vol. 11, n°20, mayo 2007, pp. 17-43.

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Zeros and ones in musicology. Software and music analysis

Resonancias vol.19, n°37, julio-noviembre 2015, pp. 27-45.
DOI: 10.7764/res.2015.37.3

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Musicians as workers. A case study of the Musicians’ Mutual Aid Society of Valparaíso (1893-1930)

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Resonancias vol. 22, n° 42, enero-junio 2018, pp. 53-78.
DOI: https://doi.org/10.7764/res.2018.42.4

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Eleanor's piano. A look at the musical interpretation of the heroine by Martín Rivas

Resonancias vol. 14, n°26, junio 2010, pp. 21-39.

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The myth of the indigenous-jesuit origin of the cateretê in Brazilian historiography

Resonancias vol. 20, n°38, enero-junio 2016, pp. 37-54.
DOI: 10.7764/res.2016.38.3

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Silhouettes in the dark: Chapelmaster Cayetano Rodríguez (Arequipa, Peru,18th century). Example of the use of non-musical sources in the reconstruction of the history of colonial music in South America

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 33-46.
DOI: https://doi.org/10.7764/res.2017.40.3

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The musical chapel of the Cathedral of Santiago de Chile and its links with other religious institutions: new perspectives and musical sources for its study (ca.1780-ca.1860)

Resonancias vol. 8, n°14, mayo 2004, pp. 13-28.

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Amalgam – Collaborative techniques within cooperative spaces

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Resonancias vol.19, n°36, enero-junio 2015, pp. 27-36.
DOI: 10.7764/res.2015.36.3

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Contribution of Samuel Claro Valdés (1934-1994) to the study of Chilean popular music

Resonancias vol. 7, n°12, mayo 2003, pp. 53-56.

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Music at the Dawn of Chilean Sound Cinema

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 43-66.

DOI: https://doi.org/10.7764/res.2018.43.3

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Indigenous musicians in colonial Paraguay: thoughts on spatial mobility

Resonancias vol. 20, n°39, julio-noviembre 2016, pp. 43-62.
DOI: 10.7764/res.2016.39.3

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She dances alone: ​​towards a healing of the violated corporality

Resonancias vol. 12, n°22, mayo 2008, pp. 27-34.

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What is a Sound Recording? On the Illusions and Certainties of Ethnomusicology

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 67-82.
DOI: https://doi.org/10.7764/res.2018.43.4

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Methodology for the identification of compositions and the establishment of concordances: the case of the inventories of the music chapel of Málaga Cathedral (1800-1836) and the works in Spanish by Esteban Redondo

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 35-55.
DOI: https://doi.org/10.7764/res.2017.41.3

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The widow of Mateo Flecha: perspectives on musical patronage in the 16th century

Resonancias vol.17, n°33, diciembre 2013, pp. 71-87.

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Approach to a historical recovery: excluded composers, lost music, stylistic transitions and symphonic descriptions at the beginning of the 20th century

Resonancias vol. 15, n°28, mayo 2011, pp. 33-47.

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A Scherzo in search of an author

Resonancias vol. 9, n°17, noviembre 2005, pp. 69-89.

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19th-century opera: to the bench of the accused

Resonancias vol. 15, n°29, noviembre 2011, pp. 57-71.

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Gilberto Mendes: music, theater and... communism

Resonancias vol. 11, n°20, mayo 2007, pp. 45-57.

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Sampling of sound images in Fear of a Black Planet

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Resonancias vol.18, n°35, julio-noviembre 2014, pp. 47-60.
DOI: 10.7764/res.2014.35.4

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The Institutional Crisis of the University of Chile as pertaining to the Circulation, Preservation, Reception and Valuation of Chilean Symphonic Music: A Theoretical and Methodological Proposal

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Resonancias vol. 22, n° 42, enero-junio 2018, pp. 79-114.
DOI: https://doi.org/10.7764/res.2018.42.5

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Archaeological flutes from Ecuador

Resonancias vol.19, n°37, julio-noviembre 2015, pp. 47-88.
DOI: 10.7764/res.2015.37.4

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Evolutionist ideas in "The origins of music and primitive music", an unpublished essay by Alejo Carpentier

Resonancias vol. 14, n°26, junio 2010, pp. 41-56.

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Historiographic periodization and aesthetic dogmas: an exercise on colonial Christmas carols

Resonancias vol. 20, n°38, enero-junio 2016, pp. 55-69.
DOI: 10.7764/res.2016.38.4

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Roberto Falabella: identity and vanguard in Chilean concert music

Resonancias vol. 8, n°14, mayo 2004, pp. 29-42.

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"Salseros have a Party": Salsa, Dance and Listening to Music in Santiago de Chile in Late Eighties

Resonancias vol.17, n°32, junio 2013, pp. 47-64.

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Chilean Art Music as a Historical and Social Practice. The Communication, Circulation and Reception of Three Pioneer Symphonic Works within Two Institutional Frameworks: 1918-1923 y 1928-1950

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 47-70.
DOI: https://doi.org/10.7764/res.2017.40.4

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Race, Nation and Jose Maurício Nunes Garcia

Resonancias vol. 13, n°24, mayo 2009, pp. 23-40.

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Music and technomorphism: origins of the concept and preliminary studies

Resonancias vol.19, n°36, enero-junio 2015, pp. 95-113.
DOI: 10.7764/res.2015.36.6

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The Chilean New Song: an example of international musical circulation (1968-1973)

Resonancias vol. 20, n°39, julio-noviembre 2016, pp. 63-91.
DOI: 10.7764/res.2016.39.4

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Seguidillas and Fandangos in the Colás of Alosno (Andalusia): Gender, Corporeality and Affect

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Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 83-112.

DOI: https://doi.org/10.7764/res.2018.43.5

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Las Kantutas and Música Oriental: Folkloric Music, Mass Media, and State Politics in 1940s Bolivia

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 57-85.
DOI: https://doi.org/10.7764/res.2017.41.4

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The praying women of Puchaurán

Resonancias vol. 12, n°22, mayo 2008, pp. 35-41.

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A new source for eighteenth-century music: the manuscript Cifras Selectas de Guitarra de Santiago de Murcia (1722)

Resonancias vol. 10, n°18, mayo 2006, pp. 35-50.

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Reception of media music - some theoretical-methodological contributions to the reflection on listening

Resonancias vol.17, n°33, diciembre 2013, pp. 89-102.

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The Female Performance as an evocation of the Taboo

Resonancias vol. 15, n°28, mayo 2011, pp. 49-64.

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The hearing of the vanquished: Conclusions of an intonational analysis

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 61-78.
DOI: 10.7764/res.2014.35.5

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The Venezuelan cuatro: continuity and evolution with respect to the Renaissance guitar

Resonancias vol.19, n°37, julio-noviembre 2015, pp. 89-111.
DOI: 10.7764/res.2015.37.5

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