Artículos


Until We Destroy Our Voice: The Politics of Vocal Damage among Chilean Football Supporters

 

 

Luis Achondo

School of Music, Memorial University

lachondoparra@mun.ca

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 13-37.

DOI: http://doi.org/10.7764/res.2026.58.2

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Doing the Dance: An Approach to the Sociohistorical and Industrial Construction of Cuarteto Cordobés (Argentina)

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Julián Beaulieu

Instituto de Humanidades (Conicet-UNC)

julianbeaulieu12@gmail.com

 

Guillermo Quiña

Instituto de Investigaciones en Diversidad Cultural y Procesos de Cambio

(IIDyPCA, UNRN-Conicet) y Universidad Nacional del Comahue, Argentina

guillermo.quina@crub.uncoma.edu.ar

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 39-61.

DOI: http://doi.org/10.7764/res.2026.58.3

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Creative Musical Pedagogies: Educational Implications in the Elementary School Classroom

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Miguel Ángel Cabero Izquierdo

Doctorando de la Universidad de Valladolid

miguelangel.cabero@uva.es

 

Alicia Peñalba Acitores

Catedrática de Música de la Universidad de Valladolid.

Dpto. Didáctica de la Expresión Musical, Plástica y Corporal.

Facultad de Educación de Palencia

alicia.penalba@uva.es

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 63-86.

DOI: http://doi.org/10.7764/res.2026.58.4

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Is It Ethical? The Appropriation of the Islamic Call to Prayer in Adeline Wong’s Jalinan for String Quartet

 

Mohd Fairuz Zamani

Faculty of Creative Arts, Universiti Malaya

fairuzzamani@um.edu.my

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 87-114.

DOI: http://doi.org/10.7764/res.2026.58.5

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Toward a Standardized Model for the Classification of Oral Traditional Music: A Methodological Proposal Based on the Spanish Case

 

Isidoro García-Díaz

Universidad de Extremadura

isgardia@unex.es

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 115-142.

DOI: http://doi.org/10.7764/res.2026.58.6

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From Buenos Aires to Alto Perú. Paths of Music in the Viceroyalty of Río de la Plata (1776-1810)

 

Álvaro Mota Medina

Departamento de Musicología

Universidad Complutense de Madrid

almota@ucm.es

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 143-169 .

DOI: http://doi.org/10.7764/res.2026.58.7

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Juan Montes’ (1840-1899) Contribution to the Cancionero musical popular español and the Cancionero musical de Galicia

 

 

Ilduara Vicente Franqueira

Universidade de Santiago de Compostela

ilduara.vicente.franqueira@usc.es

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 171-201.

DOI: http://doi.org/10.7764/res.2026.58.8

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Dynamics, Ornamentation and Phrasing in the Ecuadorian Yaraví: An Interpretative Study Based on Historical Recordings

 

Sebastián Yánez

Ronin Institute for Independent Scholarship

sayanez2.71@gmail.com

 

Resonancias vol.30, n°58, enero-junio 2026, pp. 203-224.

DOI: http://doi.org/10.7764/res.2026.58.9

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“Jesus Christ Turned Water into Wine, I Turned Reggaeton into Indie”: Reggaeton in the Metageneric Framework of Spanish Urban Music

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Ugo Fellone

Universidad Internacional de Valencia

ufellone@universidadviu.com

 

Marina Arias Salvado

Investigadora independiente

marina.aria981@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 29-52

DOI: http://doi.org/10.7764/res.2025.57.3

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Rap in Dialogue with Traditional Music: Language Policy, Culture, and Coeducation in Mallorca

 

Bàrbara Duran

Grup de Recerca en Estudis Etnopoètics, Universitat de les Illes Balears (GREIB) Institu de Musicologia Pau Villalonga (IMPV)

bduranbordoy@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 53-75

DOI: http://doi.org/10.7764/res.2025.57.4

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Pitchicateadas voices? Pitch, Timbre, and Color in the Voices of the Chilean Urban Genre

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Laura Jordán

Pontificia Universidad Católica de Valparaíso

laura.jordan@pucv.cl

 

Gabriel Rammsy

Investigador independiente

gabrielrammsy@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 77-99

DOI: http://doi.org/10.7764/res.2025.57.5

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The Manager as Translator: Management of Uncertainties and Construction of a Common Space in Chilean 'Música Urbana'

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Sebastián Muñoz-Tapia

Departamento de Antropología, Universidad Alberto Hurtado

sebastianmunozt@gmail.com

 

Carla Pinochet-Cobos

Departamento de Antropología, Universidad Alberto Hurtado

carlaasecas@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 101-125

DOI: http://doi.org/10.7764/res.2025.57.6

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Urban Music as a Melting Pot: Interdisciplinary Explorations from the Youth Condition and Festive Leisure Scenes in the City of Concepción, Chile (2024-2025)

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Ángela Rivera Martínez

Escuela Nacional de Antropología e Historia – México / Universidad Autónoma Metropolitana - Xochimilco

angelariveramartinez@gmail.com

 

Rodrigo Ganter Solís

Universidad de Concepción - Chile

rganter@udec.cl

 

Nelson Rodríguez Vega

Universidad de Concepción – Chile

nelsonrodriguez@udec.cl

 

Nadia Proboste Oliveros

Universidad de Concepción - Chile

nadiaprobostev@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 127-152 

DOI: http://doi.org/10.7764/res.2025.57.7

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Not Everything that Glitters is Narco: Thematic Analysis of Urban Music in Chile

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Ainhoa Vásquez-Mejías

Universidad Técnica Federico Santa María

ainhoa.vasquez@usm.cl

 

Ignacio Riffo-Pavón

Universidad UNIACC

ignacio.riffo@uniacc.cl

 

Raúl Zarzuri

Universidad Academia de Humanismo Cristiano

raul.zarzuri@uacademia.cl

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 153-174

DOI: http://doi.org/10.7764/res.2025.57.8

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Defraudar la compostura: On the Musical Work-Concept in Early Modern Spain (1536-1565)

 

Pilar Ramos López

Universidad de La Rioja

pilar.ramos@unirioja.es

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 175-194

DOI: http://doi.org/10.7764/res.2025.57.9

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Longing in Technocene: Strategies for Production and Dissemination of Young Argentinean Folklore in the 21st Century

 

Juliana Guerrero

Universidad de Buenos Aires – Consejo Nacional de Investigaciones Científicas y Técnicas

julianaguerrero@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 195-216 

DOI: http://doi.org/10.7764/res.2025.57.10

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Listening Again: Musical Manuscripts from the Ajuda Library in Record Releases

 

Tiago Manuel da Hora

INET-md, NOVA FCSH

tiagohora@fcsh.unl.pt

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 217-243

DOI: http://doi.org/10.7764/res.2025.57.11

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Italianism and Modernity in the Euro-American Periphery: the Case of Córdoba del Tucumán

Resonancias vol.28, n°54, enero-junio 2024, pp. 27-54.

DOI: http://doi.org/10.7764/res.2024.54.3

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Contrafactum, Parody, Arrangement? Characterizing an Italian Tradition from its Manifestations in Córdoba, Argentina

Resonancias vol.28, n°54, enero-junio 2024, pp. 55-89.

DOI: http://doi.org/10.7764/res.2024.54.4

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The “Psalms of Vespers” by Juan Pedro Esnaola: Presence of Italianism in his Early Style (ca. 1822-1828)

Resonancias vol.28, n°54, enero-junio 2024, pp. 91-111.

DOI: http://doi.org/10.7764/res.2024.54.5

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The Rossinian Influence Beyond Lima: Lorenzo Rojas, His Sacred and Symphonic Music (Arequipa, 1840-1865)

Resonancias vol.28, n°54, enero-junio 2024, pp. 113-146.

DOI: http://doi.org/10.7764/res.2024.54.6

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The Musical Library of Isidora Zegers (1803-1869) and the Musical Album of Ángela Peralta (1845-1883): Opera and Sentimental Topics During the 19th Century in Latin America

Resonancias vol.28, n°54, enero-junio 2024, pp. 147-166.

DOI: http://doi.org/10.7764/res.2024.54.7

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Transculturation and Transculturality in Four Works for Piano by Héctor Tosar

Resonancias vol.28, n°54, enero-junio 2024, pp. 167-191.

DOI: http://doi.org/10.7764/res.2024.54.8

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Articulation on the Transverse Flute: An Exploration from Artistic Practice Using Tools from the International Phonetic Alphabet

Resonancias vol.28, n°54, enero-junio 2024, pp. 193-216.

DOI: http://doi.org/10.7764/res.2024.54.9

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Los gustos estragados: a Compostela Tonadilla from 1799

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 41-64.

DOI: http://doi.org/10.7764/res.2023.53.3

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Quincas Laranjeiras and the Guitar: Artistic Life, Cultural Mediation and Sociability Networks

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Resonancias vol.27, n°53, julio-diciembre 2023, pp. 93-117.

DOI: http://doi.org/10.7764/res.2023.53.4

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Racist Sarmiento. More than 150 Years after Authorizing the Afroporteño Carnival Parades, the Mask is Taken Off

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 93-117.

DOI: http://doi.org/10.7764/res.2023.53.5

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Sikuri Music as a Strategy for Indigenous Politics in Buenos Aires

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 119-144.

DOI: http://doi.org/10.7764/res.2023.53.6

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Creating at Home (Home Studio). Emergence of New Musical Practices and Subjectivities in Chile

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Resonancias vol.27, n°53, julio-diciembre 2023, pp. 145-166.

DOI: http://doi.org/10.7764/res.2023.53.7

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New Perspectives and Documents on Musical Life in the Cathedral of Quito (1545-1836)

Resonancias vol.27, n°52, enero-junio 2023, pp. 13-40.

DOI: http://doi.org/10.7764/res.2023.52.3

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The Bass Clarinet as an Alternative to the Cello: a Didactic Proposal for Suite No. 1 BWV 1007 by Johann Sebastian Bach

Resonancias vol.27, n°52, enero-junio 2023, pp. 61-95.

DOI: http://doi.org/10.7764/res.2023.52.5

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A Reconstruction and Analysis of Francisco Asenjo Barbieri’s Social Network in Valencia (Spain) based on his Correspondence (1852-1893)

Resonancias vol.27, n°52, enero-junio 2023, pp. 97-128.

DOI: http://doi.org/10.7764/res.2023.52.6

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Film, Music, and Migrant Identities: Representing Musical Otherness in Visconti’s Neorealist Drama “Rocco and His Brothers”

Resonancias vol.27, n°52, enero-junio 2023, pp. 129-156.

DOI: http://doi.org/10.7764/res.2023.52.7

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Minimalist Spectral Music: The Case of Music for Voice and Bells by Llorenç Barber

Resonancias vol.27, n°52, enero-junio 2023, pp. 179-202.

DOI: http://doi.org/10.7764/res.2023.52.9

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The Work with Contemporary Music in the Professional and Higher Conservatories of Music of Spain

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Resonancias vol. 27, n° 52, enero-junio 2023, pp. 203-233

DOI: https://doi.org/10.7764/res.2023.52.10

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Creative Ecological Strategies in Ubimus and its Relationship with Everyday Contexts: Implications of the Work Atravessamentos

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Resonancias vol. 27, n° 52, enero-junio 2023, pp. 235-255.

DOI: https://doi.org/10.7764/res.2023.52.11

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The jurist Giulio Capone, the singer Ottavio Gaudioso and the philosophical defense of castration for musical purposes

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 11-34.

DOI: https://doi.org/10.7764/res.2022.51.2

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Differing Modernisms (1910-1915): Musical Dramaturgies by ‘Ill-fated’ Usandizaga

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 35-62.

DOI: https://doi.org/10.7764/res.2022.51.3

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A Neverending Story: Two Centuries of Proposals to Solve the Inconveniences of an Indomitable Note on the Clarinet

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 63-96.

DOI: https://doi.org/10.7764/res.2022.51.4

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Los Diablos Rojos de Víctor Jara: a choreographic and musical analysis

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 97-117.

DOI: https://doi.org/10.7764/res.2022.51.5

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Esto (sí que) no es Hawaii: Free Radio, Counterculture, Subculture, and Underground Music in the Madrid of ‘la Movida’ (1976-1989)

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 119-145.

DOI: https://doi.org/10.7764/res.2022.51.6

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Chinoy’s High-Pitched and Disconcerting Voice

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 147-169.

DOI: https://doi.org/10.7764/res.2022.51.7

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Resonance of Brass Bands. Organizations and Music Teachers in La Tirana (1970 - 2000)

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 171-199.

DOI: https://doi.org/10.7764/res.2022.51.8

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The Representation of Mapuche Spirituality in Popular Music: the Case of Anklaje

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Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 201-222.

DOI: https://doi.org/10.7764/res.2022.51.9

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Associations, disputes and international networks. The management of the music festivals in Caracas, Montevideo, and Washington between 1954 and 1966

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 15-43.

DOI: https://doi.org/10.7764/res.2022.50.3

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Vanguards looking East and South. Contemporary music festivals in Cuba and their relationship with Eastern Europe and Latin America (1959-1990)

Resonancias vol. 26, n° 50, enero-junio 2022, pp. 45-75.

DOI: https://doi.org/10.7764/res.2022.50.4

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“For a united front of Latin American musical vanguards”: the Latin American turn at the Festival Música Nova from the III Festival de Música de América y España

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 77-98.

DOI: https://doi.org/10.7764/res.2022.50.5

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Latin-American presence at the Encounters of Contemporary Music of the Agrupación Musical Anacrusa (Chile, 1987-1992)

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 99-125.

DOI: https://doi.org/10.7764/res.2022.50.6

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Cognitive-Semiotic Issues Around Viento de otoño (1998) by José Manuel López López Through Musical Self-Analysis

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 127-158.

DOI: https://doi.org/10.7764/res.2022.50.7

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A Feminized Space Since its Origins: Teachers at the Conservatory of Granada Until the Spanish Civil War (1921-1936)

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 159-186.

DOI: https://doi.org/10.7764/res.2022.50.8

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Sound as thought. Considerations about a modern epistemology of music.

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 187-206.

DOI: https://doi.org/10.7764/res.2022.50.9

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The change in the music policies during the democratic transition (1975-1982): the Festival Cincuenta Años de Música Española

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Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 13-34.

DOI: https://doi.org/10.7764/res.2021.49.2

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Jorge Peña Hen's Experimental Plan of Educational Spreading (1964-1973): An Approach to its Design, Implementation, and Results.

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 35-60.

DOI: https://doi.org/10.7764/res.2021.49.3

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Popular Music Genres and Their Temporal Dimension: State of the Art and Proposals for Analysis

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 61-83.

DOI: https://doi.org/10.7764/res.2021.49.4

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The exclusion of women artists at festivals: Gender policies and quantitative analysis in the professional music field of Argentina (2017-2019)

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 85-107.

DOI: https://doi.org/10.7764/res.2021.49.5

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The status of affectivity in the potential music of Tomás Lefever

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 109-133.

DOI: https://doi.org/10.7764/res.2021.49.6

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The dissemination of the canonical choral repertoire in amateur choir singers: learning strategies and relationship with music

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 135-153.

DOI: https://doi.org/10.7764/res.2021.49.7

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Throat of stone: The artificial songs of Alberto Kurapel and the reception of exiled Chileans in Montreal during the 1970s

Resonancias vol. 18, n°34, enero-junio 2014, pp. 15-35.
DOI: http://doi.org/10.7764/res.2014.34.2

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Music and the plan for the country during the Uruguayan dictatorship (1973–1985)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 49-67.
DOI: http://doi.org/10.7764/res.2014.34.4

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Testimonial of the Nuevo Cancionero: Musical Practices as Social Discourse and the Role of the Compromised Intellectual in the 1970s 

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Resonancias vol. 18, n°34, enero-junio 2014, pp. 89-110.
DOI: http://doi.org/10.7764/res.2014.34.6

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Music and torture in Chilean detention centers: Conversations with an ex-agent of Pinochet's secret police 

Resonancias vol. 18, n°34, enero-junio 2014, pp. 111-126.
DOI: http://doi.org/10.7764/res.2014.34.7

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Music, politics, and ethnicity: Convergences between democracy and dictatorship in the relocation of Afro-Uruguayan candombe in Buenos Aires (1973–2013)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 127-153.
DOI: http://doi.org/10.7764/res.2014.34.8

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Melchior Cortez: A precursor of classical guitar in Rio de Janeiro

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 13-42.
DOI: https://doi.org/10.7764/res.2018.43.2

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The ideal of Galanterie in the musical writings of Johann Mattheson (1681-1764)

Resonancias vol.19, n°37, julio-noviembre 2015, pp. 11-25.
DOI: http://doi.org/10.7764/res.2015.37.2

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