Articles


Definitions and Uses of the Term “concierto” in Spanish Cathedral Documentation Between c. 1750 and c. 1830

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 13-35.
DOI: https://doi.org/10.7764/res.2019.44.2

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"Preparing the listeners": topics in Carl Czerny's improvised preludes

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 29-53.
DOI: https://doi.org/10.7764/res.2020.46.3

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José Herrando Resurrected... Again? History of a 'Recuperation'

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 37-68.
DOI: https://doi.org/10.7764/res.2019.44.3

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Os Menestréis de Lisboa (1960-1972): Santiago Kastner and the Performance of Baroque Music in Portugal

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 69-99.
DOI: https://doi.org/10.7764/res.2019.44.4

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Spain in the music of Isidro Maiztegui. Legacy, ideology and migration

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 121-146.
DOI: https://doi.org/10.7764/res.2019.45.5

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The Dictatorship and Popular Music in Chile: The First Years of Lead

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 147-169.
DOI: https://doi.org/10.7764/res.2019.45.6

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“We do not come to make political song”: the return of the Chilean New Song and the plebiscite of 1988

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 171-196.
DOI: https://doi.org/10.7764/res.2019.45.7

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Rock in Spanish: a field of dispute and convergence between Spain and Latin America

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 197-214.
DOI: https://doi.org/10.7764/res.2019.45.8

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Beyond postpunk. New Romantics and Goths between Madrid and Valencia

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Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 215-239.
DOI: https://doi.org/10.7764/res.2019.45.9

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Protest Song and Countercultural Discourses of Resistance in 1960s Colombia

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 13-37.
DOI: https://doi.org/10.7764/res.2020.47.3

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Aesthetics, Musicology and Secularization. The Myth of the Birth of Opera in the Historiography of the Last Century

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 39-58.
DOI: https://doi.org/10.7764/res.2020.47.4

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Rock music and violence in Spain (1956-1964). The cases of Madrid and Barcelona

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 83-101.
DOI: https://doi.org/10.7764/res.2020.47.6

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Music performance as research: A perspective from the performing practice of recent music for guitar

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 123-145.
DOI: https://doi.org/10.7764/res.2020.47.8

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Musical sophistication explains a good deal of cognitive performance. A cross-sectional study of musicians and non-musicians

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Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 147-167.
DOI: https://doi.org/10.7764/res.2020.47.9

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The LP Banquete dos mendigos and music censorship in Brazil (1973–2013)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 155-180.
DOI: 10.7764/res.2014.34.9

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