Articles


Tenebrism, Solipsism and Contemporary Relativism from a Philosophic/Musical Point of View: From Gesualdo to Kate Soper

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 13-28.
DOI: https://doi.org/10.7764/res.2020.46.2

PDF
assignmentHTML

Definitions and Uses of the Term “concierto” in Spanish Cathedral Documentation Between c. 1750 and c. 1830

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 13-35.
DOI: https://doi.org/10.7764/res.2019.44.2

PDF
assignmentHTML

Printed liturgical music books in sixteenth-century Mexico: sources for the study of liturgical chant in Church of New Spain

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 13-60.
DOI: https://doi.org/10.7764/res.2019.45.2

PDF
assignmentHTML

"Preparing the listeners": topics in Carl Czerny's improvised preludes

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 29-53.
DOI: https://doi.org/10.7764/res.2020.46.3

PDF
assignmentHTML

José Herrando Resurrected... Again? History of a 'Recuperation'

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 37-68.
DOI: https://doi.org/10.7764/res.2019.44.3

PDF
assignmentHTML

Mapuche oral memory through ülkantun traditional chants: Remembering the times of the occupation (19th and 20th centuries)

, and

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 61-89.
DOI: https://doi.org/10.7764/res.2019.45.3

PDF
assignmentHTML

Os Menestréis de Lisboa (1960-1972): Santiago Kastner and the Performance of Baroque Music in Portugal

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 69-99.
DOI: https://doi.org/10.7764/res.2019.44.4

PDF
assignmentHTML

Discourses and practices around a “Cuban composition school”: José Ardévol, the Grupo de Renovación Musical and the Havana Chamber Orchestra (1934-1946)

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 91-120.
DOI: https://doi.org/10.7764/res.2019.45.4

PDF
assignmentHTML

Próspero Bisquertt's Procession: Institutions and Mediations around a Chilean Work on its Canonization Process and the Trajectory of its Composer

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 101-125.
DOI: https://doi.org/10.7764/res.2019.44.5

PDF
assignmentHTML

Music, Boundaries and Sikuri Ethnogenesis. The Musical Ascent to Abra of Punta Corral from Tilcara (Jujuy, Argentina)

and

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 99-131.
DOI: https://doi.org/10.7764/res.2020.46.6

PDF
assignmentHTML

Spain in the music of Isidro Maiztegui. Legacy, ideology and migration

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 121-146.
DOI: https://doi.org/10.7764/res.2019.45.5

PDF
assignmentHTML

The Dictatorship and Popular Music in Chile: The First Years of Lead

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 147-169.
DOI: https://doi.org/10.7764/res.2019.45.6

PDF
assignmentHTML

“We do not come to make political song”: the return of the Chilean New Song and the plebiscite of 1988

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 171-196.
DOI: https://doi.org/10.7764/res.2019.45.7

PDF
assignmentHTML

Rock in Spanish: a field of dispute and convergence between Spain and Latin America

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 197-214.
DOI: https://doi.org/10.7764/res.2019.45.8

PDF
assignmentHTML

Beyond postpunk. New Romantics and Goths between Madrid and Valencia

and

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 215-239.
DOI: https://doi.org/10.7764/res.2019.45.9

PDF
assignmentHTML

Protest Song and Countercultural Discourses of Resistance in 1960s Colombia

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 13-37.
DOI: https://doi.org/10.7764/res.2020.47.3

PDF
assignmentHTML

Aesthetics, Musicology and Secularization. The Myth of the Birth of Opera in the Historiography of the Last Century

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 39-58.
DOI: https://doi.org/10.7764/res.2020.47.4

PDF
assignmentHTML

The “Sphere of the Creation” of Conrado del Campo’s El final de don Álvaro: A Spanish Lyric Drama with Romantic Essences

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 59-82.
DOI: https://doi.org/10.7764/res.2020.47.5

PDF
assignmentHTML

Rock music and violence in Spain (1956-1964). The cases of Madrid and Barcelona

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 83-101.
DOI: https://doi.org/10.7764/res.2020.47.6

PDF
assignmentHTML

When pianos go up in flames... Destruction of instruments and musical poetics: a study of Piano Burning (1966/68) by Annea Lockwood

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 103-122.
DOI: https://doi.org/10.7764/res.2020.47.7

PDF
assignmentHTML

Music performance as research: A perspective from the performing practice of recent music for guitar

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 123-145.
DOI: https://doi.org/10.7764/res.2020.47.8

PDF
assignmentHTML

Musical sophistication explains a good deal of cognitive performance. A cross-sectional study of musicians and non-musicians

and

Resonancias vol. 24, n° 47, julio-noviembre 2020, pp. 147-167.
DOI: https://doi.org/10.7764/res.2020.47.9

PDF
assignmentHTML

The LP Banquete dos mendigos and music censorship in Brazil (1973–2013)

Resonancias vol. 18, n°34, enero-junio 2014, pp. 155-180.
DOI: 10.7764/res.2014.34.9

PDF
assignmentHTML