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For a liberated Chile, in the documentary memory of the Casa de las Américas

, and

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 193-212.

DOI: http://doi.org/10.7764/res.2023.53.10

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Real and Imaginary Soundscapes

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 131-141.
DOI: https://doi.org/10.7764/res.2018.42.7

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Hearing Things (objects)

Resonancias vol.19, n°36, enero-junio 2015, pp. 115-119.
DOI: http://doi.org/10.7764/res.2015.36.7

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The city as a source of sounds for the sound creation

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 143-150.
DOI: https://doi.org/10.7764/res.2018.42.8

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Documents for a history of the avant-garde group Tonus (1952–1959)

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 133-141.
DOI: https://doi.org/10.7764/res.2019.44.7

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Chilean musical historiography, an approach

Resonancias vol. 20, n°38, enero-junio 2016, pp. 117-138.
DOI: http://doi.org/10.7764/res.2016.38.7

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In Memoriam Ángel Parra (1943-2017)

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 163-164.
DOI: https://doi.org/10.7764/res.2017.41.8

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…New means(,) old meanings…

Resonancias vol.19, n°36, enero-junio 2015, pp. 121-130.
DOI: http://doi.org/10.7764/res.2015.36.8

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Embodied Sonic Memories of Commuting Underground

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 151-168.
DOI: https://doi.org/10.7764/res.2018.42.9

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Resonancias, a publication of the Institute of Music

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 145-147.
DOI: https://doi.org/10.7764/res.2017.40.8

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Constitutions of the Congregation of Our Lady of Antigua of the Cathedral of Mexico

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 165-176.
DOI: https://doi.org/10.7764/res.2017.41.9

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Water Resistance. Water and Electricity: Concept of materiality in electronic media

Resonancias vol.19, n°36, enero-junio 2015, pp. 131-139.
DOI: http://doi.org/10.7764/res.2015.36.9

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In Memoriam Víctor Alarcón Díaz (1958-2018)

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 179.

DOI: https://doi.org/10.7764/res.2018.43.10

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Revista Resonancias. A retrospective look at the production published between 1997 and 2012

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 149-166.
DOI: https://doi.org/10.7764/res.2017.40.9

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Resonancias: the stage in progress

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Resonancias vol. 21, n° 40, enero-junio 2017, pp. 167-179.
DOI: https://doi.org/10.7764/res.2017.40.10

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Musical processes: between experimentation and creation

Resonancias vol.19, n°36, enero-junio 2015, pp. 141-146.
DOI: http://doi.org/10.7764/res.2015.36.10

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Robert Stevenson, Samuel Claro Valdés and the making of the first music catalog of the Cathedral of Santiago de Chile

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 181-191.

DOI: https://doi.org/10.7764/res.2018.43.11

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