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Anatomy of a typo: zarabanda, Panama, 1539

Resonancias vol. 27, n° 52, enero-junio 2023, pp. 257-271.

DOI: https://doi.org/10.7764/res.2023.52.12

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Approaching archives and collections for the study of popular music and politics in contemporary Chile

Resonancias vol. 18, n°34, enero-junio 2014, pp. 181-190.
DOI: 10.7764/res.2014.34.10

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Music, city and soundscapes in Chile: an introduction

Resonancias vol.17, n°33, diciembre 2013, pp. 13-19.

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Dialogues on Body, Music and Culture

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Resonancias vol.17, n°32, junio 2013, pp. 15-46.

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Early music, new memory. Historical overview of the movement in Chile

Resonancias vol. 8, n°15, noviembre 2004, pp. 7-45.

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Ninety years of radio in Chile: historical and testimonial fragments of the national ether

Resonancias vol.16, n°31, noviembre 2012, pp. 20-28.

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Real and Imaginary Soundscapes

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 131-141.
DOI: https://doi.org/10.7764/res.2018.42.7

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Ninety years of radio in Chile: dialogue with characters from the radio world

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Resonancias vol.16, n°31, noviembre 2012, pp. 29-53.

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Chilean musical historiography, an approach

Resonancias vol. 20, n°38, enero-junio 2016, pp. 117-138.
DOI: 10.7764/res.2016.38.7

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Hearing Things (objects)

Resonancias vol.19, n°36, enero-junio 2015, pp. 115-119.
DOI: 10.7764/res.2015.36.7

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The city as a source of sounds for the sound creation

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 143-150.
DOI: https://doi.org/10.7764/res.2018.42.8

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Methodological reflections and subjective implications in the construction of the object

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Resonancias vol.19, n°37, julio-noviembre 2015, pp. 135-157.
DOI: 10.7764/res.2015.37.7

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Bibliographic references

Resonancias vol.16, n°31, noviembre 2012, pp. 53-57.

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Resonancias, a publication of the Institute of Music

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 145-147.
DOI: https://doi.org/10.7764/res.2017.40.8

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In Memoriam Ángel Parra (1943-2017)

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 163-164.
DOI: https://doi.org/10.7764/res.2017.41.8

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…New means(,) old meanings…

Resonancias vol.19, n°36, enero-junio 2015, pp. 121-130.
DOI: 10.7764/res.2015.36.8

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Embodied Sonic Memories of Commuting Underground

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 151-168.
DOI: https://doi.org/10.7764/res.2018.42.9

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Revista Resonancias. A retrospective look at the production published between 1997 and 2012

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 149-166.
DOI: https://doi.org/10.7764/res.2017.40.9

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Constitutions of the Congregation of Our Lady of Antigua of the Cathedral of Mexico

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 165-176.
DOI: https://doi.org/10.7764/res.2017.41.9

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Water Resistance. Water and Electricity: Concept of materiality in electronic media

Resonancias vol.19, n°36, enero-junio 2015, pp. 131-139.
DOI: 10.7764/res.2015.36.9

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In Memoriam Víctor Alarcón Díaz (1958-2018)

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 179.

DOI: https://doi.org/10.7764/res.2018.43.10

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Features of the musicians in the main Cathedral of Cuenca from the early Episcopate and during the XIX Century. Institutional templates of musicians

Resonancias vol. 20, n°39, julio-noviembre 2016, pp. 175-200.
DOI: 10.7764/res.2016.39.10

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20 years since the publication of Samuel Claro Valdés's book Chilena o cueca tradicional: De acuerdo con las enseñanzas de don Fernando González Marabolí

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 157-166.
DOI: 10.7764/res.2014.35.9

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Resonancias: the stage in progress

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Resonancias vol. 21, n° 40, enero-junio 2017, pp. 167-179.
DOI: https://doi.org/10.7764/res.2017.40.10

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The sending of indigenous musicians from the former Jesuit towns to the Cathedral of Asunción (1791-1795): transfer and insertion in a late-colonial urban society

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 177-183.
DOI: https://doi.org/10.7764/res.2017.41.10

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Musical processes: between experimentation and creation

Resonancias vol.19, n°36, enero-junio 2015, pp. 141-146.
DOI: 10.7764/res.2015.36.10

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Robert Stevenson, Samuel Claro Valdés and the making of the first music catalog of the Cathedral of Santiago de Chile

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 181-191.

DOI: https://doi.org/10.7764/res.2018.43.11

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The contribution of Samuel Claro Valdés to research on Hispano-American colonial music: A critical assessment 40 years after the publication of Antología 

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 167-176.
DOI: 10.7764/res.2014.35.10

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Transcription and comments of the “List of works” by Pedro Ximénez Abrill, a catalog of a Latin American composer in the mid-nineteenth century

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 185-193.
DOI: https://doi.org/10.7764/res.2017.41.11

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Impure and open. Conversation with Brandon LaBelle

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 175-180.
DOI: https://doi.org/10.7764/res.2021.48.10

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Remembering Claudio Arrau: his students Joan Moll, Irmelin Jättkowski-Eckert and Wolfgang Leibnitz speak

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 181-195.
DOI: https://doi.org/10.7764/res.2021.48.11

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Conversations about Music, City and Soundscapes in Chile

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Resonancias vol.17, n°33, diciembre 2013, pp. 21-51.

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