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The Cancionero romántico: A Rhapsody of the Intimate, the Popular, and the Intellectual. Interview with María Inés Solimano

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Eileen Karmy

Departamento de Artes Integradas, Facultad de Arte, Universidad de Playa Ancha

eileen.karmy@upla.cl

 

Mariana Peralta

Investigadora independiente

mariperaltag@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 245-263

DOI: http://doi.org/10.7764/res.2025.57.12

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“As God intended.” Conversation, acclamation, and applause as historical sonority

 

Eduardo Sato Besoaín

Investigador independiente

satobesoain@gmail.com

 

Resonancias vol.29, n°57, julio-diciembre 2025, pp. 265-276

DOI: http://doi.org/10.7764/res.2025.57.13

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Sound Ecologies from the Latin American Anthropocene: An Introduction to the Dossier

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Resonancias vol.29, n°56, enero-junio 2025, pp. 223-229. 

DOI: http://doi.org/10.7764/res.2025.56.9  

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“Estampa que se recorta en el gris del tiempo”: The Weather as Protagonist in Songs about the Patagonian Sheepherder

Resonancias vol.29, n°56, enero-junio 2025, pp. 223-229.

DOI: http://doi.org/10.7764/res.2025.56.10  

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Thoughts of a feeling-thinking from the distance of the Xingu River: abysses, listening and mourning for the loss of time

Resonancias vol.29, n°56, enero-junio 2025, pp. 241-249. 

DOI: http://doi.org/10.7764/res.2025.56.11  

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Wallmapu Resounding: More-Than-Human Signification in Mapuche Sound Ecology

Resonancias vol.29, n°56, enero-junio 2025, pp. 251-259. 

DOI: http://doi.org/10.7764/res.2025.56.12  

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Bioart and plant sonification: a possible experiment

Resonancias vol.29, n°56, enero-junio 2025, pp. 261-268. 

DOI: http://doi.org/10.7764/res.2025.56.13  

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The Mapuche music archive of Bahá'í Radio: diagnosis, inventory, challenges and reflections

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Resonancias vol.28, n°55, julio-diciembre 2024, pp. 181-194.

DOI: http://doi.org/10.7764/res.2024.55.9

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Data collection and analysis, Animupa project: Creación Musical, Catastro FOJI y Fondos de Cultura

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Resonancias vol.28, n°55, julio-diciembre 2024, pp. 195-208.

DOI: http://doi.org/10.7764/res.2024.55.10

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Vestiges of a will, an inventory, and an organ in Asunción, Paraguay (17th century)

Resonancias vol.28, n°54, enero-junio 2024, pp. 217-227.

DOI: http://doi.org/10.7764/res.2024.54.10

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Musical practices and the persistent work of memory fifty years after the coup d'état. Introduction to the special issue "The resonances of the coup d'état in Chile. Music, memory and solidarity for fifty years"

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 167-179.

DOI: http://doi.org/10.7764/res.2023.53.8

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Suspended time. Inti-Illimani against the coup, in the memory of Horacio Durán

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Resonancias vol.27, n°53, julio-diciembre 2023, pp. 181-192.

DOI: http://doi.org/10.7764/res.2023.53.9

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For a liberated Chile, in the documentary memory of the Casa de las Américas

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Resonancias vol.27, n°53, julio-diciembre 2023, pp. 193-212.

DOI: http://doi.org/10.7764/res.2023.53.10

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The political context in Mexico during the visit of Víctor Jara (1971)

Resonancias vol.27, n°53, julio-diciembre 2023, pp. 213-228.

DOI: http://doi.org/10.7764/res.2023.53.11

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"They don't want to be singers because they can't support themselves": petition of the singing Indians of Cotagaita (Audiencia de Charcas, 1628)

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 223-232.

DOI: https://doi.org/10.7764/res.2022.51.10

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Of sounds and nature. Aural epistemologies and the new constitution for Chile

Resonancias vol. 26, n° 51, julio-diciembre 2022, pp. 233-241.

DOI: https://doi.org/10.7764/res.2022.51.11

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Reflections towards a paradigm shift on the development of the contralto in lyrical singing

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 207-216.

DOI: https://doi.org/10.7764/res.2022.50.10

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Letters to Carmen: dossier of thanks to the teacher, with love

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Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 217-230.

DOI: https://doi.org/10.7764/res.2022.50.11

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Other bodies and other voices. Introduction to a dialogue about the voice between music and theater

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Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 155-158.

DOI: https://doi.org/10.7764/res.2021.49.8

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Machine voices or other voices. Notes to open a reflection

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 159-163.

DOI: https://doi.org/10.7764/res.2021.49.9

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Voices off stage. The techno-mediatized shouting of the voice in the theater

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 165-169.

DOI: https://doi.org/10.7764/res.2021.49.10

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Posthuman Connections: Animality, Technology, and Other Vocalities

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 171-175.

DOI: https://doi.org/10.7764/res.2021.49.11

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The queer cover: questioning the heteronorm from the sung voice

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 177-181.

DOI: https://doi.org/10.7764/res.2021.49.12

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Voices and vocalities: from instrumental use to vocality

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 183-187.

DOI: https://doi.org/10.7764/res.2021.49.13

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Cancionero Presidencial: Presidential Songbook: One hundred years of "Cielito Lindo" by Arturo Alessandri

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 189-200.

DOI: https://doi.org/10.7764/res.2021.49.14

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Erasing Memory and Trauma in Mark Ravenhill and David Chisholm’s The Experiment. The effort of remembering, or how to not fall into oblivion through the use of vestigial forms in contemporary contexts

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 201-220.

DOI: https://doi.org/10.7764/res.2021.49.15

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Approaching archives and collections for the study of popular music and politics in contemporary Chile

Resonancias vol. 18, n°34, enero-junio 2014, pp. 181-190.
DOI: http://doi.org/10.7764/res.2014.34.10

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Music, city and soundscapes in Chile: an introduction

Resonancias vol.17, n°33, diciembre 2013, pp. 13-19.

DOI: http://doi.org/10.7764/res.2013.33.2

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Early music, new memory. Historical overview of the movement in Chile

Resonancias vol. 8, n°15, noviembre 2004, pp. 7-45.

DOI: http://doi.org/10.7764/res.2004.15.3

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Dialogues on Body, Music and Culture

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Resonancias vol.17, n°32, junio 2013, pp. 15-46.

DOI: http://doi.org/10.7764/res.2013.32.3

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Conversations about Music, City and Soundscapes in Chile

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Resonancias vol.17, n°33, diciembre 2013, pp. 21-51.

DOI: http://doi.org/10.7764/res.2013.33.3

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Ninety years of radio in Chile: historical and testimonial fragments of the national ether

Resonancias vol.16, n°31, noviembre 2012, pp. 20-28.

DOI: http://doi.org/10.7764/res.2012.31.5

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Ninety years of radio in Chile: dialogue with characters from the radio world

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Resonancias vol.16, n°31, noviembre 2012, pp. 29-53.

DOI: http://doi.org/10.7764/res.2012.31.6

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Real and Imaginary Soundscapes

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 131-141.
DOI: https://doi.org/10.7764/res.2018.42.7

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The city as a source of sounds for the sound creation

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 143-150.
DOI: https://doi.org/10.7764/res.2018.42.8

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Documents for a history of the avant-garde group Tonus (1952–1959)

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 133-141.
DOI: https://doi.org/10.7764/res.2019.44.7

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Artistic Research in Transit

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 135-140.
DOI: https://doi.org/10.7764/res.2020.46.7

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Methodological reflections and subjective implications in the construction of the object

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Resonancias vol.19, n°37, julio-noviembre 2015, pp. 135-157.
DOI: http://doi.org/10.7764/res.2015.37.7

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Bibliographic references

Resonancias vol.16, n°31, noviembre 2012, pp. 53-57.

DOI: http://doi.org/10.7764/res.2012.31.7

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Chilean musical historiography, an approach

Resonancias vol. 20, n°38, enero-junio 2016, pp. 117-138.
DOI: http://doi.org/10.7764/res.2016.38.7

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Hearing Things (objects)

Resonancias vol.19, n°36, enero-junio 2015, pp. 115-119.
DOI: http://doi.org/10.7764/res.2015.36.7

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Resonancias, a publication of the Institute of Music

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 145-147.
DOI: https://doi.org/10.7764/res.2017.40.8

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…New means(,) old meanings…

Resonancias vol.19, n°36, enero-junio 2015, pp. 121-130.
DOI: http://doi.org/10.7764/res.2015.36.8

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String Mask Overflow and the “proposal”-“response” format in “GAPPP – Gamified Audiovisual Performance and Performance Practice”

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 141-146.
DOI: https://doi.org/10.7764/res.2020.46.8

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Embodied Sonic Memories of Commuting Underground

Resonancias vol. 22, n° 42, enero-junio 2018, pp. 151-168.
DOI: https://doi.org/10.7764/res.2018.42.9

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In Memoriam Ángel Parra (1943-2017)

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 163-164.
DOI: https://doi.org/10.7764/res.2017.41.8

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Water Resistance. Water and Electricity: Concept of materiality in electronic media

Resonancias vol.19, n°36, enero-junio 2015, pp. 131-139.
DOI: http://doi.org/10.7764/res.2015.36.9

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In Memoriam Víctor Alarcón Díaz (1958-2018)

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 179.

DOI: https://doi.org/10.7764/res.2018.43.10

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Constitutions of the Congregation of Our Lady of Antigua of the Cathedral of Mexico

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 165-176.
DOI: https://doi.org/10.7764/res.2017.41.9

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Revista Resonancias. A retrospective look at the production published between 1997 and 2012

Resonancias vol. 21, n° 40, enero-junio 2017, pp. 149-166.
DOI: https://doi.org/10.7764/res.2017.40.9

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Go to Hell: Some Reflections on the Role of Intuition and Analysis in Artistic Research

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 157-166.
DOI: https://doi.org/10.7764/res.2020.46.10

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Musical processes: between experimentation and creation

Resonancias vol.19, n°36, enero-junio 2015, pp. 141-146.
DOI: http://doi.org/10.7764/res.2015.36.10

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Features of the musicians in the main Cathedral of Cuenca from the early Episcopate and during the XIX Century. Institutional templates of musicians

Resonancias vol. 20, n°39, julio-noviembre 2016, pp. 175-200.
DOI: http://doi.org/10.7764/res.2016.39.10

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Resonancias: the stage in progress

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Resonancias vol. 21, n° 40, enero-junio 2017, pp. 167-179.
DOI: https://doi.org/10.7764/res.2017.40.10

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The sending of indigenous musicians from the former Jesuit towns to the Cathedral of Asunción (1791-1795): transfer and insertion in a late-colonial urban society

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 177-183.
DOI: https://doi.org/10.7764/res.2017.41.10

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20 years since the publication of Samuel Claro Valdés's book Chilena o cueca tradicional: De acuerdo con las enseñanzas de don Fernando González Marabolí

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 157-166.
DOI: http://doi.org/10.7764/res.2014.35.9

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Robert Stevenson, Samuel Claro Valdés and the making of the first music catalog of the Cathedral of Santiago de Chile

Resonancias vol. 22, n° 43, julio-noviembre 2018, pp. 181-191.

DOI: https://doi.org/10.7764/res.2018.43.11

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The Web of Culture: A Context for Musicology [1984]

Resonancias vol. 23, n° 45, julio-noviembre 2019, pp. 241-258.
DOI: https://doi.org/10.7764/res.2019.45.10

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The contribution of Samuel Claro Valdés to research on Hispano-American colonial music: A critical assessment 40 years after the publication of Antología 

Resonancias vol.18, n°35, julio-noviembre 2014, pp. 167-176.
DOI: http://doi.org/10.7764/res.2014.35.10

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Transcription and comments of the “List of works” by Pedro Ximénez Abrill, a catalog of a Latin American composer in the mid-nineteenth century

Resonancias vol. 21, n° 41, julio-noviembre 2017, pp. 185-193.
DOI: https://doi.org/10.7764/res.2017.41.11

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International Festival of Contemporary Music of Camagüey: an unprecedented event in Cuba at the end of the 20th century and the beginning of the 21st

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 161-173.
DOI: https://doi.org/10.7764/res.2019.44.10

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Invitation to the reading and research proposal of Richard Dyer's the defense of disco music

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 157-165.
DOI: https://doi.org/10.7764/res.2021.48.8

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In defense of disco music [1979]

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 167-174.
DOI: https://doi.org/10.7764/res.2021.48.9

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Impure and open. Conversation with Brandon LaBelle

Resonancias vol. 25, n° 48, diciembre-junio 2021, pp. 175-180.
DOI: https://doi.org/10.7764/res.2021.48.10

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