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“On the musical ‘Classicism’ and ‘Romanticism’” by Alba Herrera y Ogazón

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 127-131.
DOI: https://doi.org/10.7764/res.2019.44.6

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Chilean musical historiography, an approach

Resonancias vol. 20, n°38, enero-junio 2016, pp. 117-138.
DOI: http://doi.org/10.7764/res.2016.38.7

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Documents for a history of the avant-garde group Tonus (1952–1959)

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 133-141.
DOI: https://doi.org/10.7764/res.2019.44.7

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Autoethnography and participant-observation in a cross-cultural artistic research

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 147-155.
DOI: https://doi.org/10.7764/res.2020.46.9

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Water Resistance. Water and Electricity: Concept of materiality in electronic media

Resonancias vol.19, n°36, enero-junio 2015, pp. 131-139.
DOI: http://doi.org/10.7764/res.2015.36.9

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Synecdoche, microhistory and a Cuban musical review of 1965

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 143-149.
DOI: https://doi.org/10.7764/res.2019.44.8

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Resonancias: the stage in progress

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Resonancias vol. 21, n° 40, enero-junio 2017, pp. 167-179.
DOI: https://doi.org/10.7764/res.2017.40.10

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Documentary concurrences around Carlos Guastavino and Gabriela Mistral

Resonancias vol. 23, n° 44, enero-junio 2019, pp. 151-159.
DOI: https://doi.org/10.7764/res.2019.44.9

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Why Truth should treasure her disguise

Resonancias vol. 24, n° 46, enero-junio 2020, pp. 167-172.
DOI: https://doi.org/10.7764/res.2020.46.11

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