Dossier


Associations, disputes and international networks. The management of the music festivals in Caracas, Montevideo, and Washington between 1954 and 1966

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 15-43.

DOI: https://doi.org/10.7764/res.2022.50.3

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Vanguards looking East and South. Contemporary music festivals in Cuba and their relationship with Eastern Europe and Latin America (1959-1990)

Resonancias vol. 26, n° 50, enero-junio 2022, pp. 45-75.

DOI: https://doi.org/10.7764/res.2022.50.4

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“For a united front of Latin American musical vanguards”: the Latin American turn at the Festival Música Nova from the III Festival de Música de América y España

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 77-98.

DOI: https://doi.org/10.7764/res.2022.50.5

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Latin-American presence at the Encounters of Contemporary Music of the Agrupación Musical Anacrusa (Chile, 1987-1992)

Resonancias vol. 26, n° 50, diciembre-junio 2022, pp. 99-125.

DOI: https://doi.org/10.7764/res.2022.50.6

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Other bodies and other voices. Introduction to a dialogue about the voice between music and theater

and

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 155-158.

DOI: https://doi.org/10.7764/res.2021.49.8

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Machine voices or other voices. Notes to open a reflection

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 159-163.

DOI: https://doi.org/10.7764/res.2021.49.9

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Voices off stage. The techno-mediatized shouting of the voice in the theater

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 165-169.

DOI: https://doi.org/10.7764/res.2021.49.10

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Posthuman Connections: Animality, Technology, and Other Vocalities

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 171-175.

DOI: https://doi.org/10.7764/res.2021.49.11

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The queer cover: questioning the heteronorm from the sung voice

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 177-181.

DOI: https://doi.org/10.7764/res.2021.49.12

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Voices and vocalities: from instrumental use to vocality

Resonancias vol. 25, n° 49, julio-noviembre 2021, pp. 183-187.

DOI: https://doi.org/10.7764/res.2021.49.13

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Dossier Corps de ballet. Studies on body, music and culture in contemporary Chile

Resonancias vol.17, n°32, junio 2013, pp. 11-13.

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The inaudible in the historical study of popular music. A critical reflection text

Resonancias vol. 20, n°38, enero-junio 2016, pp. 11-35.
DOI: 10.7764/res.2016.38.2

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The myth of the indigenous-jesuit origin of the cateretê in Brazilian historiography

Resonancias vol. 20, n°38, enero-junio 2016, pp. 37-54.
DOI: 10.7764/res.2016.38.3

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Dialogues on Body, Music and Culture

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Resonancias vol.17, n°32, junio 2013, pp. 15-46.

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Historiographic periodization and aesthetic dogmas: an exercise on colonial Christmas carols

Resonancias vol. 20, n°38, enero-junio 2016, pp. 55-69.
DOI: 10.7764/res.2016.38.4

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"Salseros have a Party": Salsa, Dance and Listening to Music in Santiago de Chile in Late Eighties

Resonancias vol.17, n°32, junio 2013, pp. 47-64.

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Ninety years of radio in Chile: Ideas and perspectives

Resonancias vol.16, n°31, noviembre 2012, pp. 15-19.

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Effects of the Church-State conflict in the musical chapel of the Metropolitan Cathedral of Santiago: dismissal, substitution and reform (1846-1882)

Resonancias vol. 20, n°38, enero-junio 2016, pp. 71-93. 
DOI: 10.7764/res.2016.38.5
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Dance Music, an Experience of Ecstasy through the Body. Reflections around an Ethnography carried out in Three Festivals of Santiago de Chile

Resonancias vol.17, n°32, junio 2013, pp. 65-76.

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Ninety years of radio in Chile: historical and testimonial fragments of the national ether

Resonancias vol.16, n°31, noviembre 2012, pp. 20-28.

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Ninety years of radio in Chile: dialogue with characters from the radio world

, , , , , , and

Resonancias vol.16, n°31, noviembre 2012, pp. 29-53.

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Auto-exoticisms, Latin American musicology and the problem of historiographical relevance (with an appendix on sacred music and the 19th century)

Resonancias vol. 20, n°38, enero-junio 2016, pp. 95-116.
DOI: 10.7764/res.2016.38.6

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"Tango is danced around the corner": uses and discussions around the practice of tango dance in the city of Santiago (2000-2012)

Resonancias vol.17, n°32, junio 2013, pp. 77-92.

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Bibliographic references

Resonancias vol.16, n°31, noviembre 2012, pp. 53-57.

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Chilean musical historiography, an approach

Resonancias vol. 20, n°38, enero-junio 2016, pp. 117-138.
DOI: 10.7764/res.2016.38.7

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"I also have my cumbia, but my cumbia is Chilean": notes for a sociohistorical reconstruction of Chilean cumbia from the body

Resonancias vol.17, n°32, junio 2013, pp. 93-110.

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The Body in Rock: gestures, poietics and identity. Two cases of punk

Resonancias vol. 17, nº 32, junio 2013, pp.111-134.

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The reproduction of patriarchal values ​​through Chilean cuecas texts

Resonancias vol. 17, nº32, junio 2013, pp. 135-154.

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