Reflexiones


Rosenmann-Taub: Poetry on the brink of Music

Resonancias vol. 14, n°26, junio 2010, pp. 5-11.

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Tribune: Art and Sound, contemporary perspectives

Resonancias vol. 13, n°25, noviembre 2009, pp. 5.

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An approach to Brian Ferneyhough

Resonancias vol. 13, n°24, mayo 2009, pp. 5-12.

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The art of the muses: between musical composition and decomposition

Resonancias vol. 11, n°20, mayo 2007, pp. 5-16.

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Music and self-awareness. On the philosophy of music by Th. Adorno

Resonancias vol. 15, n°28, mayo 2011, pp. 5-17.

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Musical hermeneutas: between fidelity and freedom

Resonancias vol. 2, n°2, mayo 1998, pp. 26-32.

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Is it possible to teach composition?

Resonancias vol. 4, n°7, noviembre 2000, pp. 11-16.

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Music and Musicians in three fiction novels of the 20th century

Resonancias vol. 14, n°26, junio 2010, pp. 12-19.

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Colloquium: Musical present in Chile

and

Resonancias vol. 9, n°17, noviembre 2005, pp. 5-56.

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Noise and subjectivity: malaise in language

Resonancias vol. 13, n°25, noviembre 2009, pp. 6-15.

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Music criticism in Chile: reflections on a trade in transition

Resonancias vol. 8, n°14, mayo 2004, pp. 5-11.

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Music in the theater

Resonancias vol. 6, n°11, noviembre 2002, pp. 11-13.

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About the Fourth International School of Visiting Professors

Resonancias vol. 3, n°5, noviembre 1999, pp. 10-14.

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Brian Ferneyhough. Basic principles of the rhythmic structuring of his music

Resonancias vol. 13, n°24, mayo 2009, pp. 13-22.

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The choral arrangement of Argentine folk music: a response of social insertion and identity affirmation through the renewal of the repertoire

Resonancias vol. 6, n°10, mayo 2002, pp. 15-22.

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Situation of traditional music in Chile

Resonancias vol. 11, n°21, noviembre 2007, pp. 15.

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Past and future of musicological training in Chile

Resonancias vol. 5, n°9, noviembre 2001, pp. 13-18.

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There is place. Notes for a residency in Rome. Compositional proposal to delineate a soundscape interpreting an architectural space

Resonancias vol. 16, n°30, mayo 2012, pp. 5-10.

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Reflections on a university and an orchestra

Resonancias vol. 5, n°8, mayo 2001, pp. 13-20.

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Round table: Second International Meeting of Composers (2006)

Resonancias vol. 10, n°19, noviembre 2006, pp. 11-24.

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Musical composition. General considerations

Resonancias vol. 10, n°18, mayo 2006, pp. 11-33.

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Musical composition contests in Chile

Resonancias vol. 2, n°2, mayo 1998, pp. 33-35.

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The study of composition at the Faculty of Arts of the University of Chile

Resonancias vol. 4, n°7, noviembre 2000, pp. 17-24.

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Kreuzfahrt: An installed soundscape

Resonancias vol. 13, n°25, noviembre 2009, pp. 16-24.

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The electroacoustic community of Chile, CECh

Resonancias vol. 7, n°13, noviembre 2003, pp. 39-41.

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Radio dramas. Music for no stage

Resonancias vol. 6, n°11, noviembre 2002, pp. 14-18.

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Professional listeners. The elderly

Resonancias vol. 3, n°5, noviembre 1999, pp. 15-19.

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The so-called Traditional Music in Chile

Resonancias vol. 11, n°21, noviembre 2007, pp. 15-18.

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On the teaching of ethnomusicology in France

Resonancias vol. 5, n°9, noviembre 2001, pp. 19-22.

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On indeterminacy in the music of John Cage and Morton Feldman

Resonancias vol. 16, n°30, mayo 2012, pp. 23-28.

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Critics, public and reception problems in the new Spanish music

Resonancias vol. 2, n°3, noviembre 1998, pp. 28-35.

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The Symphony Orchestra

Resonancias vol. 5, n°8, mayo 2001, pp. 21-24.

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The construction of the house: on the presence of bells, birds and popular art in current music.

Resonancias vol. 10, n°19, noviembre 2006, pp. 25-31.

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Around composition contests

Resonancias vol. 2, n°2, mayo 1998, pp. 36-39.

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Taking stock: Is there an "Ibero-American musicology"?

Resonancias vol. 8, n°15, noviembre 2004, pp. 47-52.

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C.A.M.E.R.A Things by their name

Resonancias vol. 4, n°7, noviembre 2000, pp. 25-35.

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What do we hear when we hear music?

Resonancias vol. 1, n°1, noviembre 1997, pp. 18-25.

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Audiovisual composition strategies based on synesthesia, isomorphism and artificial intelligence

and

Resonancias vol. 13, n°25, noviembre 2009, pp. 25-34.

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Almost spectral presence...mythical

Resonancias vol. 7, n°13, noviembre 2003, pp. 43-45.

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From musical composition to sound art

Resonancias vol. 13, n°25, noviembre 2009, pp. 35-40.

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Auditory, perceptual and analytical strategies in electroacoustic music

Resonancias vol. 7, n°13, noviembre 2003, pp. 47-65.

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Taller 666. An academy of art and culture

Resonancias vol. 3, n°5, noviembre 1999, pp. 20-25.

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The work of the Visual Arts critic

Resonancias vol. 3, n°4, mayo 1999, pp. 12-23.

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Otherness, Epistemology and Democracy

Resonancias vol. 11, n°21, noviembre 2007, pp. 18-21.

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The Master of Arts with a mention in Musicology from the Faculty of Arts of the University of Chile 1993-2000: an evaluation through its production

Resonancias vol. 5, n° 9, noviembre 2001, pp. 23-46.

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...is in complete contrast...

Resonancias vol. 16, n°30, mayo 2012, pp. 29-31.

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Public ways of valuing contemporary Chilean music

Resonancias vol. 2, n°3, noviembre 1998, pp. 36-48.

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An Ideal Orchestra

Resonancias vol. 5, n°8, mayo 2001, pp. 25-30.

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Music in a cultural field on the way to globalization

Resonancias vol. 1, n°1, noviembre 1997, pp. 26-33.

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About the Chilean Music Promotion Law

Resonancias vol. 4, n°6, mayo 2000, pp. 10-14.

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Hearing without seeing

Resonancias vol. 13, n°25, noviembre 2009, pp. 41-44.

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In relation to the bill for the Promotion of Chilean Music

Resonancias vol. 4, n°6, mayo 2000, pp. 15-17.

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Regarding the Chilean Music Law

Resonancias vol. 4, n°6, mayo 2000, pp. 18-19.

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Barthes and music: theoretical scheme in three figures

Resonancias vol. 3, n°4, mayo 1999, pp. 25-34.

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Samuel Claro Valdés Musicology Award 2000

Resonancias vol. 4, n°7, noviembre 2000, pp. 55-58.

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Music, laws and other sounds

Resonancias vol. 4, n°6, mayo 2000, pp. 20-27.

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