Reflexiones


Noise and subjectivity: malaise in language

Resonancias vol. 13, n°25, noviembre 2009, pp. 6-15.

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Musical hermeneutas: between fidelity and freedom

Resonancias vol. 2, n°2, mayo 1998, pp. 26-32.

DOI: http://doi.org/10.7764/res.1998.2.4

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About the Fourth International School of Visiting Professors

Resonancias vol. 3, n°5, noviembre 1999, pp. 10-14.

DOI: http://doi.org/10.7764/res.1999.5.3

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Musical composition contests in Chile

Resonancias vol. 2, n°2, mayo 1998, pp. 33-35.

DOI: http://doi.org/10.7764/res.1998.2.5

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Professional listeners. The elderly

Resonancias vol. 3, n°5, noviembre 1999, pp. 15-19.

DOI: http://doi.org/10.7764/res.1999.5.4

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Critics, public and reception problems in the new Spanish music

Resonancias vol. 2, n°3, noviembre 1998, pp. 28-35.

DOI: http://doi.org/10.7764/res.1998.3.3

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Around composition contests

Resonancias vol. 2, n°2, mayo 1998, pp. 36-39.

DOI: http://doi.org/10.7764/res.1998.2.6

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About the Chilean Music Promotion Law

Resonancias vol. 4, n°6, mayo 2000, pp. 10-14.

DOI: http://doi.org/10.7764/res.2000.6.3

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Taller 666. An academy of art and culture

Resonancias vol. 3, n°5, noviembre 1999, pp. 20-25.

DOI: http://doi.org/10.7764/res.1999.5.5

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The work of the Visual Arts critic

Resonancias vol. 3, n°4, mayo 1999, pp. 12-23.

DOI: http://doi.org/10.7764/res.1999.4.3

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Public ways of valuing contemporary Chilean music

Resonancias vol. 2, n°3, noviembre 1998, pp. 36-48.

DOI: http://doi.org/10.7764/res.1998.3.4

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In relation to the bill for the Promotion of Chilean Music

Resonancias vol. 4, n°6, mayo 2000, pp. 15-17.

DOI: http://doi.org/10.7764/res.2000.6.4

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Regarding the Chilean Music Law

Resonancias vol. 4, n°6, mayo 2000, pp. 18-19.

DOI: http://doi.org/10.7764/res.2000.6.5

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Barthes and music: theoretical scheme in three figures

Resonancias vol. 3, n°4, mayo 1999, pp. 25-34.

DOI: http://doi.org/10.7764/res.1999.4.4

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Music, laws and other sounds

Resonancias vol. 4, n°6, mayo 2000, pp. 20-27.

DOI: http://doi.org/10.7764/res.2000.6.6

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